Upcoming Events

Dramatists Guild National Silent Writing is open to DG members and non-members at no additional cost.

Writing is an art that thrives on inspiration, yet it can often feel like a solitary journey. We know that finding the motivation to write can sometimes be challenging. That’s why the Dramatists Guild offers ongoing online silent writing sessions, designed to transform your solitary endeavor into a communal experience.

It’s not too late to join The Business Affairs team for its monthly series: Attorneys Backstage! Each month, Director of Business Affairs Jessica Lit, Esq. and Business Affairs Consultant Leesa Fenderson, Esq. will “pull back the curtain” on various aspects of the business of writing for the theatre.

Please note that all sessions will be held on Zoom.

If you haven't had a chance to join us for one of our Contract Bootcamps in the past, now is your chance! 

This month we're bringing back our Contract Bootcamp for the Revised Model Collaboration Agreement to pair with this month's Attorneys Backstage on Non-Authorial Collaborators. In Attorneys Backstage, we'll discuss the ins and outs of working with non-authorial collaborators, but in this Contract Bootcamp, we'll walk you through the most essential tool to use when working with your authorial collaborators: The Model Collaboration Agreement. 

About the play:

Ana Fernandez, a bright and resilient 14-year old undocumented girl, is forced into hiding with the help of her compassionate teacher when immigration agents begin targeting students at her school. Drawing inspiration from Anne Frank's diary, Ana documents her fears, hopes and daily struggles as she and her father attempt to evade deportation.

There is one ten-minute intermission

Run time is approximately 100 minutes

DG Members are invited to use code: DEAL2026 to get 25% off general pricing.

Performances run September 24–26 & September 30–October 2, 2026

What begins as a college theatre rehearsal becomes something no one planned for. Eli and Ryan are cast in their professor Finch’s original play, a story he wrote about a love he never got to finish. As they run lines, block scenes, and spend late nights together in the rehearsal room, the fiction begins to feel uncomfortably real.