Writing Verse

The following is an excerpt from a roundtable discussion held October 14, 2015 at the Dramatists Guild. It has been edited with the participation of the panelists.

Two monochromatic photographs merged. The woman on the left is white and has long, well-styled brown hair parted in the center and wears a dark blouse and two necklaces. The man on the right is white with short hair and wears a dark, open-collared polo shirt.
Johnna Adams and David Hirson. Photos copyright 2015 by Walter Kurtz for The Dramatist.

Joey Stocks:  Do you begin specifically wanting to write a verse play? If not, how does verse find its way into the play?

David Hirson:  I don’t think I’ve ever sat down and said, “I’m going to write a verse play” or “I’m going to write a prose play.” Plays are very insistent about the form in which they will allow themselves to be written, and the language that’s appropriate to them.

I was certainly aware, from an early age, of verse plays as a category. And, given the allure of their specific challenges, not to mention their scarcity in the modern age, the prospect of writing one had its appeal.

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Monochromatic photo of a white woman with long, brown, well-styled hair parted in the center. She wears a dark, collarless blouse and two necklaces.
Johnna Adams

’s plays include Angel Eaters, Rattlers, 8 Little Antichrists, Cockfighters, and The Sacred Geometry of S&M Porn. Her plays Gidion’s Knot, Sans Merci, and her verse play Lickspittles, Buttonholers, and Damned Pernicious Go-Betweens are published by Dramatists Play Service. BFA in Acting: DePaul University Theatre School, MFA in Playwriting: Hunter College.

Monochromatic photo of a white man with short, salt & pepper hair parted on the side. he wears an open collared, long sleeve polo shirt.
Daivd Hirson

’s La Bête continues to be produced on major stages, and in numerous languages, throughout the world since its Broadway premiere (Eugene O’Neill Theatre, 1991) and its Olivier Award-winning London debut (Lyric Hammersmith, 1992, starring Alan Cumming and Jeremy Northam). In 2010-11, it returned to Broadway (Music Box Theatre) and London’s West End (Comedy Theatre) in an internationally coproduced, 20th anniversary revival starring Mark Rylance, David Hyde Pierce and Joanna Lumley. His plays are published by Dramatists Play Service.

Editor, Joey Stocks
Joey Stocks

was born into an Arkansas newspaper family. He strayed into theatre as a performer before joining the Guild as Director of Publications and Editor of The Dramatist from August 2011 through September 2023.