The Reality Check Issue (2018)
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Masthead of the Reality Check Issue (2018)
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Why Isn't the Guild a Labor Union?
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Dear Dramatist - September/October 2018
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Annalisa Dias: Ten Qeustions
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Phillip DePoy: The Craft
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Survival Jobs
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The Big "What Now?" Part 2
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On Writers Groups
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Working Without An Agent
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Suggestions for Staged Readings
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Directing Your Own Work
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Freelance Isn't Free
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Rejection Letters That Never Made It Into Print
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Advice to Young Theatre Composers
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Copyright Advocacy: Between Never and Forever
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From the Desk of DGF: What’s the Foundation?
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Chicago: Can Conversation Change the World?
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Dallas/Fort Worth: Will Power
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DC: Honoring Howard Shalwitz
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Gulf Coast: The NOLA Project
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Houston: Texas Playwrights Festival
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Northern New England: Contracts for Writers
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New Jersey: Joel Stone
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San Francisco: The Rest I Make Up
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Seattle: Out of Grief Comes Art
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Southwest: New Work!
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Tennessee: How does a playwright get from New York to Tennessee?
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Guild News – September/October 2018
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Dramatists Diary – September/October 2018
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New Guild Members as of July 15, 2018
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Why I Joined the Guild with Lloyd Suh
I successfully work without an agent by employing a substitute representative – myself. I learned twenty years ago that I am my own best advocate and agent.
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’s full-length drama, Unsportsmanlike Conduct, will receive its world premiere in September 2018 at Outvisible Theater in Detroit, MI. He recently directed the world premiere of Miss Irrelevant, his short play inspired by the #MeToo movement, at Sugartown Shorts in Bushwick, Brooklyn.
’s plays include Ripped, Let’s Fix Andy, Really Adult, and Toxic. She has worked with Playwrights Foundation, SF Playhouse, Salt Lake Acting Company, Wyoming Theater Festival, Custom Made Theatre, This Is Water Theatre, Plan-B Theatre, and many others.
is a playwright and TV writer of Colombian descent splitting time between Dallas and Los Angeles. He holds a BA in Theatre from the University of North Texas and has had his work featured throughout the Dallas-Ft. Worth metroplex where he served proudly as the Dramatists Guild Regional Representative in 2018.
’s plays have been featured with the National New Play Network, were a top twenty finalist for CulturalDC’s Source Theatre Festival, runner-up for the Todd McNerney Playwriting Award, and received Honorable Mention for the Jane Chambers Student Playwriting Award. She received her playwriting MFA from Ohio University. www.rachelbykowskiplays.com
is a playwright, screenwriter, and director, working in the vibrant Cleveland theatre scene. He’s a two-time winner of the Ohio Arts Council Individual Excellence Award in Playwriting (Complete and Total; How to Be a Respectable Junkie); a 2016 Cleveland Public Theatre Nord Playwriting Fellow (Well Beings); Dobama Theatre Playwrights Gym member; and proud Dramatists Guild member.
is the co-author of the musicals Academia Nuts, Snow Way Out, The Suicide Club, Hatter, and Heist and author of the plays President Mom (with Dan Marshall), Bedtime, and Dead Behind the Eyes or The Ingenue Play. She holds an MFA from NYU Tisch.