Cover Art of the Massachusetts Issue: Multiple cartoons - each in separate boxes - showcasing life in Massachusetts.
TABLE OF CONTENTS
Who’s This For, Anyway?

Working with Barrington Stage Company on Well-Intentioned White People

Cathryn Wake and Myxolydia Tyler in Well-Intentioned White People at Barrington Stage Company. Photo by Jennifer Graessle.
Cathryn Wake and Myxolydia Tyler in Well-Intentioned White People at Barrington Stage Company. Photo by Jennifer Graessle.

The question I hated answering the most in grad school was “Who are you writing this for?” My answer was always “Everyone. I am writing this for everyone.” I would get into arguments about this and I would stubbornly still believe I was writing for everyone by the end of most of these arguments. The thing I understand now that I didn’t before is how impossible that is. Even before working with Barrington, I came to the understanding that writing for everyone is a bad idea and it leads to bad writing. A play that’s for every person in this country still isn’t a play for everyone globally.

Sign In To Access This Article

Subscribe to gain full access to The Dramatist Issue Archive.

Join and become a Dramatists Guild Member, Business Subscriber or subscribe to the magazine with an annual plan for unlimited access.

Guild Members receive our magazine as a benefit of membership!

View Options

 

 
 
 
RACHEL LYNETT
RACHEL LYNETT

is a queer Afro-Latinx playwright based in Arkansas. Her plays have been featured at Barrington Stage, Matrix Theatre, Capital Repertory Theatre, TheatreSquared, EquityLibrary Theatre, Chicago, Talk Back Theatre, and Orlando Shakes. This year, she also received commissions from Florida Studio Theatre and Florida Atlantic University.