The Sondheim Issue
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Masthead of the Sondheim Issue
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Editor’s Notes on the Sondheim Issue
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Guest Editor’s Notes on the Sondheim Issue
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DG Glossary: Small Rights & Grand Rights
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Stephen Sondheim: Ten Questions
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I Collabor Him and He Collabors Me
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Musical Theatre: A Talk by Stephen Sondheim
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What Sondheim Musical Influenced You Most?
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Our Time: The Influence of Sondheim
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President Sondheim
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Copyright Reversion: A Smart Way Out of a Bad Deal
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From the Desk of Creative Affairs: Announcing the Launch of Young Dramatists
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Guild News – September/October 2022
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Dramatists Diary – September/October 2022
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New Guild Members as of July 15, 2022
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Classified Ads – September/October 2022
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Kirsten Childs: Why I Joined the Guild
Merrily We Roll Along, Debbie Bolsky
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is a Santa Monica playwright/screenwriter and sometimes producer who has written fourteen works that feature strong and layered roles for women and explore themes of death, baseball, and politics. Two of her plays were produced in Los Angeles.
is a writer whose work has been featured in various stages and screens including Lower Depth Ensemble, Rogue Machine, Company of Angeles, the Hip Hop Theater Festival, the Actor’s Studio, Ensemble Studio Theater, the Schomburg, and the Kennedy Center. She is a graduate of Lang College and Sarah Lawrence, receiving the Lipkin Playwriting Award. She has just finished a novel and a TV pilot on the Harlem Renaissance. She is a founding member of the producing playwrights’ collective The Temblors and was a member of the 2021 Geffen Writer’s Room.
’s plays have been produced by the Humana Festival, the Denver Center, the Geva, and elsewhere. He just had his first collaborative musical experience working on the book for May We All.
is a multi-hyphenate and an MFA Candidate at BoCo. He joined the Guild after the 2016 premiere of It Takes a Village at Barnard/Columbia. Other Selected Writing Credits: Celebrating Sondheim, Pass/Fail, friEnDs, and Twink Piece.
holds an MFA in Dramatic Writing from New York University’s Tisch School of the Arts where she was the Dean’s Fellow from 2007 to 2009, and an MA in Museum Studies from Johns Hopkins University. She has won numerous awards for her playwriting, including a Helen Hayes Award and an American Theater Critic’s Roger L. Stevens Award from the Kennedy Center, been published, produced, and featured in both American Theatre magazine and The New York Times. She is the founder of TERTULIA, a new Black playwright’s initiative located in Atlanta, GA.
is an award-winning playwright whose most recent play TIL Death was performed off-Broadway and directed by Chad Austin, Abington Theatre Company, in 2023.
Elizabeth developed the groundbreaking play cycle Grief Dialogues and plans to present an immersive lab version of the updated script in NYC November 2024. She is the founder of Grief Dialogues, a Seattle-based non-profit, using theatre to open new conversations about dying, death and grief. (www.griefdialogues.com).
is a NYC-based composer/lyricist. Musicals: Salaam Medina: Tales of a Halfghan, One Good Day, Hip Hop Cinderella. Awards: Kleban Award, Jonathan Larson Grant, Billie Burke Ziegfeld Award, ASCAP Harold Adamson Lyric Award, Mary Rodgers/Lorenz Hart Award. Music Direction: A Strange Loop.