Vol. 21 No. 4
Mar/Apr 2019
The Massachusetts Issue
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Masthead of the Massachusetts Issue
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Editor's Notes on the Massachusetts Issue
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Dear Dramatist: March/April 2019
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On Privilege and Art: A New Year’s Resolution
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Regarding MFAs
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Guild News for the Massachusetts Issue
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The Craft with Donnetta Lavinia Grays
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Boston’s New Play Ecosystem
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Boston Playwrights’ Theatre
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Fresh Ink Theatre
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When the Rubber Meets the Road
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Company One Playlab
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A Personal History of the Huntington Playwriting Fellowship
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The Mellon Foundation National Playwright Residency
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Theatre in the Berkshires & Pioneer Valley
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Chester Theatre Company
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Who’s This For, Anyway?
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Merrimack Rep
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Can New Plays Find A Home on Cape Cod?
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Provincetown Tennessee Williams Theatre Festival
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Writer's Retreats
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From the Desk of Business Affairs: The DG Goes Abroad
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From the Desk of DGF: The Seller-Lehrer Family Foundation
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Atlanta: Reiser Atlanta Artists Lab
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Austin/San Antonio: B. Iden Payne Awards Council
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Baltimore: Theatre Staff and Writers Meet to Share Opportunities and Challenges
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Colorado: Naked Angels and Questionable Theatrics
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Kentucky: Paths to Production
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California – South: It's a Party!
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Michigan: Workshopping and Developing New Work
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Twin Cities: Robert Elhai
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North Carolina: Building Bridges
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Ohio: A Playwright’s Path to Production
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Philadelphia: Julie Zaffarano
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Portland: The DGI at Artists Rep
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Utah: Sitting Down with Melissa Leilani Larson
Being a Mormon is interesting,” says playwright/screenwriter Melissa Leilani Larson. “Mormons are interesting and weird... but we’re a hard audience. We want to be uplifted and not challenged... but I think a good play should be both uplifting and challenging.”
She’s a practicing Mormon with a unique perspective and a complex background.
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Kathleen Cahill
’s awards include the Jane Chambers Playwriting Award, two Connecticut Commission on the Arts Playwriting Awards, a Massachusetts Artists Foundation Award, a Rockefeller Grant, a National Endowment for the Arts New American Works Grant, two Edgerton Foundation Awards, and a Drama League Award.
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