BY LYNNE MEADOW
In reading Lynne Meadow’s account of the years between 1984 and l998 when the Manhattan Theatre Club was Terrence McNally’s artistic home I was struck with Lynne’s statement “He used the commitment I had made to him as a passport to artistic freedom, as a way to create with abandon. . .” and yes indeed, that period of time gave us nine world premieres of Terrence’s work! Extraordinary!