The Translation and Adaptation Issue (2013)
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Masthead of the Translation and Adaptation Issue (2013)
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Editor’s Notes on the Translation and Adaptation Issue (2013)
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Dear Dramatist - March/April 2013
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Theresa Rebeck: The Craft
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Julia Cho: Ten Questions
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Translating Lyrics
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Rhonda Shook: On Translations and Adaptations
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Susan DiLallo: On Translations and Adaptations
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Challenges of Translation
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Ellen McLaughlin: On Translations and Adaptations
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Henry Ong: On Translations and Adaptations
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Sandra Seaton: On Translations and Adaptations
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Three Rules for Adapting and Translating the Ancient World
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Mark Nutter: On Translations and Adaptations
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Alan Menken: On Translations and Adaptations
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Roundtable on Translations and Adaptations
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The Business Side of Adaptations
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Of Bilingualism: Teatro’s Au Courant Significance
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Arizona/New Mexico: Documenting History
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Atlanta: 3 Hill Productions
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Austin/San Antonio: Luminaria
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Baltimore: Growing the Scene in 2013
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Boston: Notes from the Field
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Chicago: Teatro Vista
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DC: A Killing Game
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Florida: Bigger, Better, Stronger
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Houston: What’s the Worst That Can Happen?
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Ithaca Region: When the Snow Melts
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Los Angeles: Fix it Later
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Minneapolis/St. Paul: Raw Stages Festival
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New Jersey: Luna Stage
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North Carolina: College Discovery Day
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Ohio: It’s Working!
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Pittsburgh: 13P
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Seattle: A Visit From Alan Menken
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Utah: Charles Morey
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Western New York: The Wheels of Bankruptcy and Resolution
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E-Publishing Roundtable, Part Two
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Mr. Blah Blah Blah
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Seven Lessons Learned at MacDowell (+ one more learned in New York)
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Happy Spring!
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Guild News – March/April 2013
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Dramatists Diary – March/April 2013
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New Guild Members as of January 15, 2013
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Classified Ads – March/April 2013
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Jonathan Reynolds: What Guild Membership Means to Me
Once you have an idea, how do you proceed? Do you take notes? Do you outline? Do you plunge right in?
I hate outlining. For me, part of the way I think is to write, and if you make too many decisions ahead of time then you don’t learn as much from the writing itself. For me, there’s always a secret subject in what I’m writing, and it doesn’t reveal itself unless you let the writing process lead you there. Because of that, I think the writing thins out if I work off an outline.
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is an American playwright, television writer, and novelist. Awards include the Writer’s Guild of America Award for Episodic Drama and a Peabody Award for her work on NYPD Blue, the National Theatre Conference Award, the William Inge New Voices Playwriting Award, the PEN/Laura Pels Foundation Award, the Athena Film Festival Award, an Alex Award, and a Lilly Award. In 2011 she was named one of the 150 Fearless Women in the World by Newsweek. She is the creator of the NBC drama Smash.