Vol. 20 No. 3
Jan/Feb 2018
The Censorship Issue
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Masthead of the Censorship Issue
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Editor’s Notes on the Censorship Issue
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Dear Dramatist – January/February 2018
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The Last Taboo? The “Palestine Exception” in American Theatre
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Lauren Yee: Ten Questions
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V: The Craft
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Do You Censor Yourself When Writing?
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A Conversation with Paula Vogel
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Banned Together: Fighting “Obscene and Not Heard”
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From the Archives: The Freedom to Write
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Remembering Thomas Meehan
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Chicago: DG/LMDA Exchange
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Dallas/Ft. Worth: DG Town Hall
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Houston: Girls Who Sing in the Choir
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Missouri: Darren Canady
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New England – East: NENPA
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New Jersey: Interview with Kathleen Tolan
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New York – Central: Interview with Margaret Hall
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Pittsburgh: Momentum Festival
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San Francisco: Strange Ladies
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Seattle: Welcome Home
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Tennessee: Theatre in Shelbyville
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Learning Myself All Over Again
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The Show Dr. Seuss Doesn’t Want You To See
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From the Desk of DGF: In Support of Dramatists
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Guild News – January/February 2018
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Dramatists Diary – January/February 2018
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Classified Ads – January/February 2018
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New Guild Members as of December 15, 2017
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Robert Lopez: Why I Joined the Guild
Sometimes there’s a little-theatre-that-could that decides it can—and then it does! That’s what happened at the Fly Cultural Arts Center in the little rural town of Shelbyville, TN, about 50 miles southeast of Nashville.
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C. Kay "Andy" Landis
is a proud member of The Dramatists Guild, SAG and AFTRA, and a founding member of the Dramatists Guild’s Women’s Initiative. She earned her MFA in from Lesley University.
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