From the Archives: Music & Lyrics
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Masthead – From the Archives: Music & Lyrics
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Editor’s Notes – From the Archives: Music & Lyrics
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Guild News – Winter 2024
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Betty Shamieh: Ten Questions
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The Asian American Theatre Artists Collective
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DG Best Practices: Contests and Festivals
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Spring 1967: So Which Comes First, the Words or the Music?
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Summer 1973: Theatre Music
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Spring 1991: Stephen Sondheim in a Q&A Session, Part 1
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Summer 1991: Stephen Sondheim in a Q&A Session, Part 2
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Sep/Oct 2009: Some Thoughts on Lyric Writing
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May/Jun 2013: Musical Women
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This Is Still Not A Vacation: The Story of Edward Albee’s Completely Renovated Big White Barn
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Tofte Lake Center
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A Dramatist’s Guide to Tulsa
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In Memory of Shay Youngblood
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New Members – Winter 2024
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Dramatists Diary – Winter 2024
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Classified Ads – Winter 2024

What kind of score do you compose for your shows, and how much do you contribute to the orchestration?
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(1930-2021) wrote music and lyrics for Saturday Night, A Funny Thing Happened on the Way to the Forum, Anyone Can Whistle, Company, Follies, A Little Night Music, The Frogs, Pacific Overtures, Sweeney Todd, Merrily We Roll Along, Sunday in the Park with George, Into the Woods, Assassins, Passion, and Road Show, and lyrics for West Side Story, Gypsy, and Do I Hear A Waltz? He composed music for the films Stavisky, Reds, and Dick Tracy and for the television production Evening Primrose. His collected lyrics with attendant essays have been published in two volumes: Finishing the Hat and Look, I Made A Hat. In 2010 the Broadway theatre formerly known as Henry Miller’s Theatre was renamed in his honor.