The Opera Issue
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Masthead of the The Opera Issue
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Editor’s Notes on The Opera Issue
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Honoring Micki Grant with Charlayne Woodard
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Honoring Micki Grant with Kirsten Childs
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Erika Dickerson-Despenza: Ten Questions
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Vanessa Severo: Ten Questions
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The Golden Age (?) of Opera
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So, You Want to Write An Opera?
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Librettists on Libretti
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Composers on Composing Opera
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Opera Resources
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From the Desk of Business Affairs: What’s In An Opera, Doc?
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Atlanta: Bring Back Live!
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Austin/San Antonio: Making The Invisible Visible – Again
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California – South: Staying Busy
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Kentucky: Market House Theatre
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Michigan: New and Renewed Opportunities
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New York State: Reconnecting with Community
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North and South Carolina: Rising to the Occasion
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Philadelphia: Sitting Down with Teresa Miller and Caitlin Cieri
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Oregon: As Busy As Ever
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Twin Cities: The Art Continues
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Dramatists Diary: November/December 2021
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New Guild Members as of September 15, 2021
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Classified Ads - Nov/Dec 2021
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Cori Thomas: Why I Joined the Guild

Say that you are a playwright or a theatre composer or a lyricist or a crossover artist who wants to expand their range by creating work in an entirely new venue, reaching out to a new audience that may or may not be familiar with your previous works. Say that you have a story in mind with a larger statement and impact to make than can be done on a postage-stamp-sized stage.
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co-chairs the DG Opera Committee with Deborah Brevoort. His opera libretti include the upcoming Harvey Milk Reimagined, composer Stewart Wallace, at Opera Parallele in San Francisco this spring, and The Grapes of Wrath, composer Ricky Ian Gordon, presented in concert recently at Carnegie Hall. Korie’s lyrics to musicals include the Broadway productions of War Paint and Grey Gardens, composer Scott Frankel. He received the Marc Blitzstein Award from the American Academy of Arts for his work in both musical theatre and opera.