The Translation and Adaptation Issue (2013)
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Masthead of the Translation and Adaptation Issue (2013)
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Editor’s Notes on the Translation and Adaptation Issue (2013)
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Dear Dramatist - March/April 2013
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Theresa Rebeck: The Craft
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Julia Cho: Ten Questions
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Translating Lyrics
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Rhonda Shook: On Translations and Adaptations
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Susan DiLallo: On Translations and Adaptations
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Challenges of Translation
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Ellen McLaughlin: On Translations and Adaptations
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Henry Ong: On Translations and Adaptations
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Sandra Seaton: On Translations and Adaptations
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Three Rules for Adapting and Translating the Ancient World
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Mark Nutter: On Translations and Adaptations
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Alan Menken: On Translations and Adaptations
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Roundtable on Translations and Adaptations
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The Business Side of Adaptations
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Of Bilingualism: Teatro’s Au Courant Significance
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Arizona/New Mexico: Documenting History
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Atlanta: 3 Hill Productions
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Austin/San Antonio: Luminaria
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Baltimore: Growing the Scene in 2013
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Boston: Notes from the Field
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Chicago: Teatro Vista
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DC: A Killing Game
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Florida: Bigger, Better, Stronger
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Houston: What’s the Worst That Can Happen?
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Ithaca Region: When the Snow Melts
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Los Angeles: Fix it Later
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Minneapolis/St. Paul: Raw Stages Festival
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New Jersey: Luna Stage
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North Carolina: College Discovery Day
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Ohio: It’s Working!
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Pittsburgh: 13P
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Seattle: A Visit From Alan Menken
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Utah: Charles Morey
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Western New York: The Wheels of Bankruptcy and Resolution
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E-Publishing Roundtable, Part Two
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Mr. Blah Blah Blah
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Seven Lessons Learned at MacDowell (+ one more learned in New York)
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Happy Spring!
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Guild News – March/April 2013
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Dramatists Diary – March/April 2013
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New Guild Members as of January 15, 2013
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Classified Ads – March/April 2013
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Jonathan Reynolds: What Guild Membership Means to Me
When I asked Gary Garrison for permission to take a four-week unpaid leave of absence from my work at the Guild, I thought the time would allow me to move forward on a couple projects that had been languishing. And that it did. What I didn’t quite bargain for was the profound impact my December residency at The MacDowell Colony would have on how I approach my work and my life.
Before I left New York, a friend’s autistic son posed an intriguing question.
“So, you’re going to a cabin in the woods just to write?”
“Yes,” I said.
“But, couldn’t you just as easily do that in your own apartment?”
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is a playwright, composer, filmmaker, and director who has had work produced and/or screened throughout the U.S. and at film festivals in Europe, South America, Africa, Australia, and the Middle East. For twelve years he served as Artistic Director of Boston’s New Opera Theatre Ensemble, leading a core ensemble of singer-actors in the development and performance of new operas mounted in the most unlikely venues. During his tenure at the Dramatists Guild of America in New York, Tec devised and directed several new educational workshops which he brought to members throughout the country. Roland has been a fellow at the Byrdcliffe Artists Colony and at MacDowell. Roland is a faculty member of the Dramatists Guild Institute and an Assistant Professor in the Playwriting MFA Program at Hollins University.