The Reality Check Issue (2018)
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Masthead of the Reality Check Issue (2018)
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Why Isn't the Guild a Labor Union?
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Dear Dramatist - September/October 2018
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Annalisa Dias: Ten Qeustions
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Phillip DePoy: The Craft
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Survival Jobs
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The Big "What Now?" Part 2
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On Writers Groups
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Working Without An Agent
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Suggestions for Staged Readings
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Directing Your Own Work
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Freelance Isn't Free
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Rejection Letters That Never Made It Into Print
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Advice to Young Theatre Composers
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Copyright Advocacy: Between Never and Forever
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From the Desk of DGF: What’s the Foundation?
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Chicago: Can Conversation Change the World?
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Dallas/Fort Worth: Will Power
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DC: Honoring Howard Shalwitz
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Gulf Coast: The NOLA Project
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Houston: Texas Playwrights Festival
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Northern New England: Contracts for Writers
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New Jersey: Joel Stone
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San Francisco: The Rest I Make Up
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Seattle: Out of Grief Comes Art
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Southwest: New Work!
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Tennessee: How does a playwright get from New York to Tennessee?
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Guild News – September/October 2018
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Dramatists Diary – September/October 2018
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New Guild Members as of July 15, 2018
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Why I Joined the Guild with Lloyd Suh
Local Seattle playwright Elizabeth Coplan fell in love with theatre at the young age of thirteen. Painfully shy, her mother she suggested she take a drama class. This early introduction fostered a lifelong love for theatre. She went on to act in New York City and later get her degree in English Literature. She became the managing editor of Chief Executive magazine, a published author, and enjoyed a 40+ year career in marketing, but a chronic illness caused her to have to step back from her busy life.
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is a USA Today bestselling author and won the Panwoski Playwriting Award for Building Madness. She has sold over half-a-million books globally. She trained at The Groundlings, RADA, Towson University, and the Acme Comedy Theater. She is a member of the Dramatists Guild Council.