Technology (2023)
Return to Issue Archive-
Masthead of the Technology Issue (2023)
-
Editor’s Notes on the Technology Issue (2023)
-
What Miracles Occur in Unmarked Rooms
-
Dave Harris: Ten Questions
-
$5000
-
We Are Creative Professional Workers: How to Enhance the Rights of Dramatists Working in America
-
Our Letter To Congress: Fighting for Collective Bargaining Rights
-
DG Glossary: Fair Use
-
Ross Berger: What I’m Teaching Now
-
Can I Do That?
-
Tools of the Trade: Composers Talk High-Tech and Low-Tech
-
Practical Tips for Authors to Protect Their Works from AI Use
-
5 Questions About AI That Keep This Playwright Up at Night
-
Finding the Art in Artificial Intelligence
-
Round Up On Technology
-
Everybody Loves Puppets
-
Breaking, Examining, Reassembling: An Introduction to Decentered Playwriting
-
A Dramatist’s Guide to Columbus, Ohio
-
Conversation with Tina Howe
-
In Memoriam: Marjorie Bicknell
-
New Guild Members as of October 15, 2023
-
Dramatists Diary – Winter 2023

Do you write with technology in mind?
Subscribe to gain full access to The Dramatist Issue Archive.
Join and become a Dramatists Guild Member, Business Subscriber or subscribe to the magazine with an annual plan for unlimited access.
Guild Members receive our magazine as a benefit of membership!

is a playwright from Egypt, Nubia, and California. Her plays have been produced and developed in Seattle, Milwaukee, San Francisco, and Minneapolis. She is a founding member of Dunya Productions and Heard Space Arts Collective, leads the Nubian Foundation, and is the co-host of the Kunafa & Shay Theater Podcast. nabranelson.wordpress.com/playwriting

is an accomplished composer, playwright, and producer. With a career spanning two decades, his artistic journey has led to developmental opportunities at Tofte Lake Center, The Sheen Center, SimonSays Entertainment, The Tank, Hi-Arts, Musical Theatre Factory, the Obsidian Theater Festival, and CultureHub.

(she/they) is a playwright, screenwriter, poet, stand-up comic, director, comedy improviser, and actor. Their plays, Call My Dead Wife and HisStory, are published through Next Stage Press. Hilary lives in Los Angeles, CA and is a proud member of the Dramatists Guild and Honor Roll! an advocacy group of women+ playwrights over 40.

is a writer based in Brooklyn, by way of Los Angeles. He is a 2022-2023 Dramatists Guild Foundation Fellow and has won the Alliance/Kendeda Prize and Neukom Award. He studied cognitive science and creative writing at Stanford, before receiving his MFA in dramatic writing from NYU Tisch.

(REwrights) began their creative partnership twenty years ago. As playwrights, notable work includes Happy, Happy, Happy… and The Fifth Wave both produced at Macha Theatre Works. Currently, Jenn and Lisa are Artistic Associates and Resident Playwrights at Seattle Public Theater. They believe that art elevates and connects us all and sharing stories onstage is the best way they know how to express the fragility, uncertainty, and hope of being human.

is a happily married wife, proud mother, multi-disciplinary artist, and native Oregonian. She is the founder and executive director of World Stage Theatre, a Dramatists Guild, American Guild of Musical Artists, and Actors Equity Association member, and has penned several plays and a children’s book. @shalandarenaessance www.shalandasims.com

is a playwright, director, and actor based in Kalamazoo, MI. As a playwright he has written such plays as Caught Up in The Circle of Life, Rev. Hype, Who Stole Those Church Hats, and When We Get to Christanna Creek. His directing credits include Of Mice and Men and Death of a Salesman.