Vol. 22 No. 3
Jan/Feb 2020
The Before and After Issue
Return to Issue Archive-
Editor's Notes on The Before and After Issue
-
Dear Dramatist: Jan/Feb 2020
-
News Roundup: Jan/Feb 2020
-
Tony Meneses: Ten Questions
-
The Craft with Audrey Cefaly
-
Before You Write the Play or Musical, Part One
-
The Real Person in Your Play
-
Underlying Rights, Part One
-
Before You Write the Play or Musical, Part Two
-
Contracts 101: Collaborations
-
Marketing 201: Beyond Submitting
-
20 (Mostly Free) Tips to Promote Your Play or Musical
-
Terms of Success: A Look at the Basic Terms of a Production Agreement
-
The Road to Riches: Publishing & Licensing
-
Playwright's Collectives
-
Subsidiary Rights, Part One
-
Developing a Long-Term Plan for Your Literary Papers
-
DGF Fellows: Erika Dickerson-Despenza
-
DGF Fellows: Jay Adana & Zeniba Now
- Jay Adana
- and Zeniba Now
-
DGI: Northwestern Musical Theatre Intensive
-
California - North: Play Cafe Affords Unique Opportunity to East Bay Playwrights
-
Dallas/Ft. Worth: The Politics of Space
-
DC: Introducing District Dramatists
-
Gulf Coast: Conversations at Bacchanal with Kurt Opprecht
-
Houston: Interview with Rachel Dickson
-
Missouri: Confluence New Play Festival
-
New England - East with Andrea Lepcio
-
New Jersey: The Infinity Plays
-
Seattle: The Scratch
-
DG Southwest Region Going Strong
-
Tennessee: Interview with C. Kay “Andy” Landis
-
Notes from Puerto Rico, Part Two
-
Why I Joined the Guild with Georgia Stitt
The Real Person in Your Play
Originally published in the DG Newsletter December, 1995
This article returns to a topic discussed in this column several years ago, but which seems to be increasingly popular. It all begins with a seemingly simple question: “Can I write a play about a real person?” This query invokes two areas of the law referred to as the right of publicity and the right of privacy. These rapidly developing fields are governed by state law rather than federal law, and thus differ from state to state. Therefore, this article will address only the basic concepts involved with the rights of publicity and privacy.
Subscribe to gain full access to The Dramatist Issue Archive.
Join and become a Dramatists Guild Member, Business Subscriber or subscribe to the magazine with an annual plan for unlimited access.
Guild Members receive our magazine as a benefit of membership!
David Friedlander