The Radical Hospitality Issue
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Masthead of the Radical Hospitality Issue
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Editor’s Notes on The Radical Hospitality Issue
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Lucy Wang: Ten Questions
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Stephen Kaplan: What I'm Teaching Now
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Douglas Post: What Copyright Means to Me
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What Does Radical Hospitality Mean to You?
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On Radical Hospitality, Part One
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Dramatists in Times Square
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On Radical Hospitality, Part Two
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3 Things You Can Do
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The Walking Plays
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California - North: Jeannie Barroga
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Chicago: Takeaways for a Post-Pandemic Theatre
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Dallas/Ft. Worth: A Conversation with Anyika McMillan-Herod
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DC: Meeting the Challenging Moment
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Houston: Writers Weathering The Storm
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Kansas City/St. Louis: Missouri Playwrights Keep Hope (and their Work) Alive During COVID
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Minneapolis/St. Paul: Let's Make Art
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New England - East: A Pandemic-Infused Winter
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New Jersey: Updates from the Garden State
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New York City: A Conversation With Ty Defoe
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Seattle: Isolation / Collaboration
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From the Desk of the DGCM: Who Do I Leave My Intellectual Property To?
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Arthur Kopit: Why I Joined the Guild
Christine Toy Johnson: In Season Two of the Guild’s Podcast TALKBACK, we spoke about access and the many things that can mean. I want to talk with each one of you today about a concept called radical hospitality, which to me is the ultimate kind of access, where a space is created in which people not only feel welcomed but also that they belong. This has not always been the case in our theatrical spaces, of course, and I’m always wondering how we might be able to move closer to that ideal.
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is a Tony and Obie award-honored writer, actor, and advocate for inclusion. Treasurer of the DG, chair of the Guild’s Diversity, Equity, Inclusion, & Access Committee, host of the Guild’s podcast TalkBack on the Broadway Podcast Network. More at christinetoyjohnson.com
is the producing artistic director of NYC’s Prospect Theater Company, which she co-founded in 1998. She is a leader in the field of new musical theatre development. With fellow Prospect founding artist Peter Mills, she has co-created over a dozen new musicals, including the Off-Broadway hit The Hello Girls (Outer Critics Circle & Drama Desk Award nominations, cast album: Broadway Records). www.CaraReichel.com
is a 2025 United States Artist Fellow. She is also a Lanford Wilson and Steinberg Award winning playwright, a director, and filmmaker. A Navajo Nation citizen (Ta’neeszahnii dóó Táchii’nii), she is the Artistic Director of New Native Theatre, which she started in 2009 as a response to the lack of connection and professional opportunities between Twin Cities theaters and the Native community; it is the recipient of a 2023 Headwaters Bush Prize for social justice.
is a producer, writer, and founding artistic director for the Bishop Arts Theatre Center in Dallas, TX. She is the 2019 recipient of Theatre Communications Group’s prestigious Peter Zeisler Memorial Award for artistic integrity and ingenuity.