wo years ago, we—two members of the Dramatists Guild of America living in Puerto Rico—advocated to have the region officially recognized by the DG. We quickly became the DG Reps for PR, then came up with the idea that to get powerful recognition as an essential part of the American theatre, Puerto Rican playwrights should pool their resources and networks, join their voices, and get loud. Tere started making some calls to fellow playwrights.
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