The Call & Response Issue
Return to Issue Archive-
Masthead of The Call & Response Issue
-
Editor's Notes on The Call & Response Issue
-
Find The Universal... And Then Kill It Dead.
-
Wendy MacLeod: Ten Questions
-
Call & Response with Carlyle Brown, Gretchen Cryer, Michael R. Jackson, Lisa Kron, KJ Sanchez
-
Have You Ever Felt Called to Respond to a Particular Event, Moment, or Movement?
-
DGF Emergency Grants
-
The Theatre Makers of Color Outreach Survey
-
Advocacy in the Time of COVID
-
#WeSeeYou WAT: Gossip & Debate Among POC Artists
-
New Media Committee
-
Unalienable
-
Why a Public Statue of Lorraine Hansbury is Necessary
-
From the Desk of Political Engagement: Save the USPS
-
Puerto Rico: Continuar Juntos (Carry On Together)
-
Ambassador Report: California – Long Beach/Orange County
-
Ambassador Report: California – San Diego
-
Ambassador Report: Florida Panhandle
-
Ambassador Report: South Florida
-
Ambassador Report: Indiana
-
Ambassador Report: Maine
-
Ambassador Report: New Mexico
-
Ambassador Report: New York City
-
Ambassador Report: New York State – Hudson Valley
-
Ambassador Report: Central Pennsylvania
-
Ambassador Report: Queens, NY
-
Ambassador Report: South Carolina
-
Ambassador Report: Tennessee – Knoxville
-
Ambassador Report: Virginia – East
-
Ambassador Report: Washington State – East/Spokane
-
Ambassador Report: Wisconsin
-
Guild News: Sept/Oct 2020
-
New Guild Members as of July 15, 2020
-
Mike Lew: Why I Joined the Guild
Eng
One year ago, after 25 years in New York City, I relocated to San Juan. Immediately I began to ache for an artistic community. I called the DG, and they connected me with Tere Martínez, Puerto Rican playwright and founder of Roots & Action, a drama-in-education program. Over coffee, we forged instant camaraderie in a talk about the power of a united group of artists. The Playwright Collective of Puerto Rico was hatched.
Subscribe to gain full access to The Dramatist Issue Archive.
Join and become a Dramatists Guild Member, Business Subscriber or subscribe to the magazine with an annual plan for unlimited access.
Guild Members receive our magazine as a benefit of membership!
is a Puerto Rican playwright and educator. Her commitment to education has inspired her to write about a wide variety of socially relevant topics. Her plays include Borinquen vive en El Barrio, Chain Reaction, Memoria de un final, Nihonjin Face, and Mi última noche con Rubén Blades. www.teremartinez.com and rootsandaction.org
is an award-winning playwright, performer, and producer. She has worked with theatrical pioneers Anna Deavere Smith and Eve Ensler and has created initiatives for and consulted with such organizations as The Rubin Museum of Art, NYU’s School for Art & Public Policy, The Actors Fund Home, Educators for Social Responsibility, The Institute on the Arts & Civic Dialogue, Rattlestick Playwrights Theater, Urban Stages, and WP Theater.