Craft and Career
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Masthead of The Craft & Career Issue
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Back to Basics: Editor's Notes on The Craft and Career Issue
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Matthew-Lee Erlbach is Fighting for a New Arts Economy
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Artists & Activists in the Twin Cities
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Native and Indigenous Structure and Dramaturgy
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My Playreading Story for COVID Times
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On Stage Directions
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Playwrights take the Leap into Comics
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Poets & Playwrights
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From the Desk of Political Engagement: Healthcare for Dramatists
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Atlanta: Mark Swanson and Rus McCoy
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California - South: Don’t Call Us, We’ll Call You (Unless You’re a Woman Over 40)
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Colorado: New Work at Buntport Theater
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Kentucky: Introducing Our New Regional Rep
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Michigan: A Quarantine Pod for Black Lives
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New England - West: SquareWrights, Chester Theatre Company, and TheaterWorks
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New York State: A New Chapter
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North and South Carolina: Playwright as Producer
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Ohio: What’s Next? Getting Your Play Produced
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Philadelphia: Philadelphia’s “Music (Wo)Man”
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Portland: Update on Portland Theatre Scene
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Utah: Theatre in Unprecedented Times
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New Guild Members as of September 15, 2020
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Stephen Schwartz: Last Word
If you’re a Philadelphia composer, lyricist, librettist—or maybe all three—there’s finally a place where you can present your work-in-progress. That place is MusiCoLab, a Salon Series for creators with a song (or two) to sing from shows they are working on and the brainchild of Philadelphia resident, Barbara Bellman. A librettist, lyricist, and playwright herself, Barbara wondered why Philadelphia dramatists couldn’t have the exposure opportunities that seemed so plentiful in the Big Apple.
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(1949-2023) received the Joseph Jefferson Award and the John Gassner Memorial Playwrighting Award, won the TNTPops! New Play Contest, and was nominated for the Weissberger Prize. She is published by Dramatic Publishing, Heartland Plays, and ARTemis Arts. She is the founder of Playwrights Alliance of PA, Marathon Acts, and was president emeritus of Philadelphia Dramatists Center.