The Opera Issue
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Masthead of the The Opera Issue
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Editor’s Notes on The Opera Issue
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Honoring Micki Grant with Charlayne Woodard
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Honoring Micki Grant with Kirsten Childs
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Erika Dickerson-Despenza: Ten Questions
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Vanessa Severo: Ten Questions
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The Golden Age (?) of Opera
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So, You Want to Write An Opera?
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Librettists on Libretti
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Composers on Composing Opera
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Opera Resources
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From the Desk of Business Affairs: What’s In An Opera, Doc?
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Atlanta: Bring Back Live!
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Austin/San Antonio: Making The Invisible Visible – Again
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California – South: Staying Busy
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Kentucky: Market House Theatre
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Michigan: New and Renewed Opportunities
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New York State: Reconnecting with Community
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North and South Carolina: Rising to the Occasion
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Philadelphia: Sitting Down with Teresa Miller and Caitlin Cieri
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Oregon: As Busy As Ever
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Twin Cities: The Art Continues
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Dramatists Diary: November/December 2021
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New Guild Members as of September 15, 2021
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Classified Ads - Nov/Dec 2021
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Cori Thomas: Why I Joined the Guild
Welcome cooler weather is returning to Oregon, which has been punished this summer by wildfires and heat. It seems that as soon as we started to think about organizing in-person events for dramatists in our fair state, the ongoing pandemic had other plans. So, we write, we collaborate, we figure it out… And our members have been as busy as ever.
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(She/Her/Hers) is an award-winning playwright who has productions across the U.S., U.K., Canada, and Asia, publications in lots of nice literary journals, and recent invitations to the Inge Theatre Festival, the Midwestern Dramatists Center, the Mid-America Theater Conference, the American Association for Theatre in Higher Education New Play Development Series, and the Sewanee Writers’ Conferences, as well as the Kennedy Center for the Performing Arts Playwriting Intensive. She and her family live in Oregon. www.rachaelcarnes.com