Vol. 23 No. 4
Mar/Apr 2021
The Environmental Issue
Return to Issue Archive-
Masthead of The Environmental Issue
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Editor’s Notes on The Environmental Issue
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Ifa Bayeza: Ten Questions
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Mindi Dickstein: What Copyright Means to Me
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Environmental Theatre
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7 Deadly Sins in Miami
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Opera by Mail
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The Environmental Issue
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On the Environment: A Roundtable
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The Broadway Green Alliance
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The Digital Environment
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A Playwright for 4 Seasons
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Little Hollow, Tennessee
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Atlanta: Reflecting on 2020
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Austin/San Antonio: Defining Success with Jeanette Hill
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Kentucky: Friday Night Footlights
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Michigan: Strengthening Connections
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New England - West: Writing About Climate Change
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North Carolina: All Hail the Ambassadors
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Ohio: Both Grief and Memory
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Oregon: Adapting to the Moment
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Puerto Rico: Celebrating Myrna Casas
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Philadelphia: How To Go Crazy – 22 Plays at a Time!
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Southern California: New Pandemic Realities
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Southwest: Shuffling and Reshuffling
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Twin Cities: I’ll Be Seeing You Again
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Council Digest: Fall 2020 Report
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New Guild Members as of January 15, 2021
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Amanda Green: Why I Joined the Guild
Many opera companies around the country have faced the same challenges during the pandemic as our repertory theatres have. How can they remain connected to their communities, keep their artists employed and present alternatives to live performance until that blessed day we may all gather in theatres again?
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Mark Campbell
’s Pulitzer and Grammy Award-winning work includes 39 opera librettos, lyrics for seven musicals, and text for six song cycles and three oratorios. He recently created the first prize in the history of opera designated specifically for opera librettists: the Campbell Opera Librettist Prize. www.markcampbellwords.com