Craft and Career
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Masthead of The Craft & Career Issue
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Back to Basics: Editor's Notes on The Craft and Career Issue
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Matthew-Lee Erlbach is Fighting for a New Arts Economy
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Artists & Activists in the Twin Cities
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Native and Indigenous Structure and Dramaturgy
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My Playreading Story for COVID Times
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On Stage Directions
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Playwrights take the Leap into Comics
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Poets & Playwrights
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From the Desk of Political Engagement: Healthcare for Dramatists
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Atlanta: Mark Swanson and Rus McCoy
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California - South: Don’t Call Us, We’ll Call You (Unless You’re a Woman Over 40)
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Colorado: New Work at Buntport Theater
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Kentucky: Introducing Our New Regional Rep
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Michigan: A Quarantine Pod for Black Lives
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New England - West: SquareWrights, Chester Theatre Company, and TheaterWorks
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New York State: A New Chapter
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North and South Carolina: Playwright as Producer
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Ohio: What’s Next? Getting Your Play Produced
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Philadelphia: Philadelphia’s “Music (Wo)Man”
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Portland: Update on Portland Theatre Scene
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Utah: Theatre in Unprecedented Times
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New Guild Members as of September 15, 2020
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Stephen Schwartz: Last Word

This summer saw our Dramatists Guild Ohio Zoom panel discussion, “What’s Next? Getting Your Play Produced.” Collaboratively presented with the Cincinnati Playwrights Initiative (CPI), the discussion welcomed over 70 participants and was co-hosted by me and CPI’s Susan Decatur.
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was a finalist for the Jewish Play Project 2016 International Jewish Playwriting Contest and has held residencies at Soaring Gardens Artist Residency and Millikin University. Hunter’s writing on theatre has appeared in American Theatre Magazine, Howlround, Theatre Survey, Offoffonline, The Dramatist, The Eugene O’Neill Review, Ecumenica, Text & Presentation, and as chapters in the books Performing the Progressive Era (University of Iowa Press) and Experimental O’Neill (Rare Bird Press).