The Translation and Adaptation Issue (2013)
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Masthead of the Translation and Adaptation Issue (2013)
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Editor’s Notes on the Translation and Adaptation Issue (2013)
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Dear Dramatist - March/April 2013
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Theresa Rebeck: The Craft
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Julia Cho: Ten Questions
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Translating Lyrics
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Rhonda Shook: On Translations and Adaptations
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Susan DiLallo: On Translations and Adaptations
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Challenges of Translation
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Ellen McLaughlin: On Translations and Adaptations
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Henry Ong: On Translations and Adaptations
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Sandra Seaton: On Translations and Adaptations
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Three Rules for Adapting and Translating the Ancient World
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Mark Nutter: On Translations and Adaptations
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Alan Menken: On Translations and Adaptations
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Roundtable on Translations and Adaptations
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The Business Side of Adaptations
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Of Bilingualism: Teatro’s Au Courant Significance
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Arizona/New Mexico: Documenting History
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Atlanta: 3 Hill Productions
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Austin/San Antonio: Luminaria
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Baltimore: Growing the Scene in 2013
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Boston: Notes from the Field
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Chicago: Teatro Vista
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DC: A Killing Game
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Florida: Bigger, Better, Stronger
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Houston: What’s the Worst That Can Happen?
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Ithaca Region: When the Snow Melts
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Los Angeles: Fix it Later
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Minneapolis/St. Paul: Raw Stages Festival
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New Jersey: Luna Stage
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North Carolina: College Discovery Day
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Ohio: It’s Working!
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Pittsburgh: 13P
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Seattle: A Visit From Alan Menken
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Utah: Charles Morey
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Western New York: The Wheels of Bankruptcy and Resolution
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E-Publishing Roundtable, Part Two
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Mr. Blah Blah Blah
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Seven Lessons Learned at MacDowell (+ one more learned in New York)
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Happy Spring!
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Guild News – March/April 2013
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Dramatists Diary – March/April 2013
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New Guild Members as of January 15, 2013
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Classified Ads – March/April 2013
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Jonathan Reynolds: What Guild Membership Means to Me
At our November workshop in Columbus (“Those Who Can, Teach”), we enjoyed an embarrassment of riches, beginning with keynote remarks by Gary Garrison and Michael Bigelow Dixon. Breakout panels offered invaluable wisdom from teaching artists working with students at every age and skill level. We also learned about the resources of the Lawrence and Lee Theatre Research Institute at The Ohio State University, our hosts for the day.
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co-produced the symposium “Holding Our Tongue: Censorship in the Theatre” for DG’s Ohio region in 2010 and has covered Banned Together 2017 and 2018 for The Dramatist. She is proud to have served as Ohio’s regional rep for seven years. Her full-length plays have been performed around the U.S. and in London and have been honored with four Ohio Arts Council Individual Excellence grants and dozens of regional and national awards. In 2011, she founded Interplay Jewish Theatre to revive a century-old cultural tradition in Cleveland. www.fayesplays.com • www.interplaycleveland.com