The Community Issue
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Masthead of the Community Issue
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Editor's Notes on the Community Issue: Theatre = Community
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As a Writer, How Do You Build Community? Part One
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Theresa Rebeck: Ten Questions
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The Craft with Christopher Demos-Brown
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Keynote Address from 2018 DG National Conference
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As a Writer, What is the Most Unexpected Sense of Community You've Experienced?
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Making a Place at the Table for Differently Abled Writers
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Writing Wrongs
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Imagine More
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The Burden of History Denied: Writing for Social Justice
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The Stage Writer as Change Agent
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The Art of Turning Pain into Power
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Bedrock Initiative
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As a Writer, How Do You Build Community? Part Two
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Make Them Hear You, Kid
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Common Bonds
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Imagine: Yemen
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Banned Together 3.0
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Unsafe Spaces: From the Desk of the DG President, Doug Wright
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From the Desk of Rachel Routh: The Community Issue
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As a Writer, How Do You Build Community? Part Three
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Chicago: Local Writers’ Collectives
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DC: Movers and Shakers
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Gulf Coast: Creating a Room with a View
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Houston: Interview with Jon-Marc McDonald
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New England: Banned Together and More
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New Jersey: Liberty Live Commission
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New York City: Establishing Community
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Pittsburgh: The Ray Werner Play Festival
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California – North: Introducing Patricia Milton
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Seattle: Speed Date Your Play
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Tennessee: Tiger Lily Theatre
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Nikkole Salter: Why I Joined the Guild
Hello New York Ciiiiiiittttttyyyyyyyyyyyy!
Sorry if I just woke your baby or your inner child, I had a belch of enthusiasm.
As your first-ever NYC Regional Rep (Donna Hoke is our upstate NY Regional Rep), I’m looking forward to establishing a greater sense of community. While we have the greatest concentration of playwrights per square foot, we don’t have a lot of opportunities to connect in person for a giant game of duck, duck, goose. Or a pants-on, dance-on marathon. Or a book clu—just kidding. Or not, if that’s what you want.
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is an award-winning playwright and founding member of the Obie-recognized collective 13 Playwrights. She is best known for her drama In Darfur which premiered at The Public Theater, followed by an SRO performance at their 1800-seat Delacorte Theater, a first for a play by a woman.