The Censorship Issue
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Masthead of the Censorship Issue
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Editor’s Notes on the Censorship Issue
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Dear Dramatist – January/February 2018
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The Last Taboo? The “Palestine Exception” in American Theatre
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Lauren Yee: Ten Questions
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V: The Craft
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Do You Censor Yourself When Writing?
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A Conversation with Paula Vogel
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Banned Together: Fighting “Obscene and Not Heard”
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From the Archives: The Freedom to Write
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Remembering Thomas Meehan
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Chicago: DG/LMDA Exchange
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Dallas/Ft. Worth: DG Town Hall
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Houston: Girls Who Sing in the Choir
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Missouri: Darren Canady
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New England – East: NENPA
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New Jersey: Interview with Kathleen Tolan
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New York – Central: Interview with Margaret Hall
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Pittsburgh: Momentum Festival
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San Francisco: Strange Ladies
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Seattle: Welcome Home
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Tennessee: Theatre in Shelbyville
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Learning Myself All Over Again
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The Show Dr. Seuss Doesn’t Want You To See
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From the Desk of DGF: In Support of Dramatists
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Guild News – January/February 2018
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Dramatists Diary – January/February 2018
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Classified Ads – January/February 2018
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New Guild Members as of December 15, 2017
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Robert Lopez: Why I Joined the Guild
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Showpony by Judith Leora; cast members (L-R) Lucy Lavely, Sadrina Reneé and Barbara Howard; photographer Richard Lovrich.
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table read of Your Best One by Meridith Friedman
In October, I met with Guild members and writers at Capital Rep’s sixth annual Next Act New Play Summit, a weekend dedicated to readings and sessions on new play development. Events included readings, a synopsis and submission clinic (led by me), and a panel on the all-important first fifteen minutes of a script. After a great day, I had a chance to chat with Margaret Hall, who along with Artistic Director Maggie Cahill, runs Next Act:
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’s work has been produced in Canada, Austria, the Philippines, Italy, Australia, Belgium, England, Scotland, and throughout the USA. She is the recipient of several awards including the Alan Minieri Award, A Pinter Review Prize for Drama Silver Medal, the Yukon Pacific Playwright Award, and others. Her short plays have also won her ‘best playwright’ awards at several theatres around the country.