The Atlanta Issue
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Masthead of the Atlanta Issue
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Editor’s Notes on the Atlanta Issue
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Dear Dramatist - May/June 2022
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DG Glossary: Collective Bargaining
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Kait Kerrigan: What Copyright Means to Me
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Antoinette Chinonye Nwandu: Ten Questions
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Charles L. White: Ten Questions
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Welcome To Atlanta Playwrights!
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Playwriting in Atlanta: Food for Thought
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Atlanta-Metro Theatres & Resources, Part 1
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Atlanta-Metro Theatres & Resources, Part 2
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Emory University and Actor’s Express
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Alliance Theatre Reiser Atlanta Artists Lab
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Alliance Kendeda National Graduate Playwriting Award
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“Doing” Atlanta Black Theatre Festival
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Atlanta Theatre-To-Go
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Essential Theatre
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New Georgia Woman Project: Black Women Speak, Horizon Theatre
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BWS Emerging Playwrights Collective
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True Colors Theatre Dihvinely Konnecked Commission
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Merely Players Presents: Merely Writers
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Pumphouse Players
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PushPush Arts
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Synchronicity Theatre’s Stripped Bare Arts Incubator
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Theatrical Outfit
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Working Title Playwrights
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Hush Harbor Lab and More
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Additional Atlanta-Metro Resources
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From the Desk of Jordan Stovall: Jubilee for a New Vision
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From the Desk of Emmanuel Wilson: Onward and Upward
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Dallas/Fort Worth: First Move Playwrights Lab and More
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DC: The New Play Landscape
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New England – East: Celebrating our Vibrant Theatre Scene with Elizabeth Addison
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Southwest: Lunch Time with Larissa Brewington
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Tennessee: Tennessee Playwrights Studio
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Dramatists Diary – May/June 2022
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New Guild Members as of March 15, 2022
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Guild News – May/June 2022
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Classified Ads – May/June 2022
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Kristoffer Diaz: Why I Joined the Guild
During 2021, producers Marguerite Hannah and LaWanda Green at Horizon did a nationwide search requesting applications to participate in creating plays that would become part of their ongoing seasons. They sought Black woman identifying playwrights to create entirely original content. This content would be inspired by conversations with at least 100 Black women. Their mission was to seek out emerging and professional playwrights to speak to the plurality of the Black Southern women’s experiences.
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is a playwright from Dermott, Arkansas. Her full-length plays include FLEX (Humana Festival of New American Plays) and A Medusa Thread (UC Santa Babara Launch Pad). Candrice is a Jerome Fellow at the Playwrights’ Center in Minneapolis. Currently, she is drafting a new play entitled Leaving Teaching.
is an Atlanta based playwright, interdisciplinary artist, and educator. Her Black Women Speak play in progress, Boss Ladies and Tender Hearted Girls, is conceived as a manual for renewal and resistance.