The Community Issue
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Masthead of the Community Issue
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Editor's Notes on the Community Issue: Theatre = Community
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As a Writer, How Do You Build Community? Part One
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Theresa Rebeck: Ten Questions
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The Craft with Christopher Demos-Brown
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Keynote Address from 2018 DG National Conference
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As a Writer, What is the Most Unexpected Sense of Community You've Experienced?
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Making a Place at the Table for Differently Abled Writers
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Writing Wrongs
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Imagine More
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The Burden of History Denied: Writing for Social Justice
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The Stage Writer as Change Agent
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The Art of Turning Pain into Power
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Bedrock Initiative
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As a Writer, How Do You Build Community? Part Two
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Make Them Hear You, Kid
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Common Bonds
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Imagine: Yemen
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Banned Together 3.0
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Unsafe Spaces: From the Desk of the DG President, Doug Wright
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From the Desk of Rachel Routh: The Community Issue
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As a Writer, How Do You Build Community? Part Three
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Chicago: Local Writers’ Collectives
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DC: Movers and Shakers
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Gulf Coast: Creating a Room with a View
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Houston: Interview with Jon-Marc McDonald
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New England: Banned Together and More
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New Jersey: Liberty Live Commission
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New York City: Establishing Community
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Pittsburgh: The Ray Werner Play Festival
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California – North: Introducing Patricia Milton
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Seattle: Speed Date Your Play
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Tennessee: Tiger Lily Theatre
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Nikkole Salter: Why I Joined the Guild
The past few months have been busy and fun for our region. This period kicked off, for me at least, with the National Conference in New York at the end of July. What a whirlwind! So much positive, creative playwriting energy crammed into one space was absolutely invigorating. I just about wore my voice out talking with writers from all over, including quite a few from New England. One of the best parts was getting to meet so many other regional reps, who are finding exciting ways to engage their communities.
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is a playwright, novelist, screenwriter, and producer. His plays, which have been produced in every state and fifteen countries, include Mox Nox, Drift, Lab Rats, Blood on the Snow, Distant Neighbors, Chore Monkeys, and Blinders. He’s been a Playwriting Fellow with the Huntington Theatre Company and has received fellowships from the Boston Foundation/Brother Thomas Fund and the Massachusetts Cultural Council, and he was the artist-in-residence at Mt. Auburn Cemetery. He’s the producing artistic director of Plays in Place, a company specializing in creating site-specific work for museums and historic sites.