The Censorship Issue
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Masthead of the Censorship Issue
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Editor’s Notes on the Censorship Issue
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Dear Dramatist – January/February 2018
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The Last Taboo? The “Palestine Exception” in American Theatre
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Lauren Yee: Ten Questions
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V: The Craft
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Do You Censor Yourself When Writing?
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A Conversation with Paula Vogel
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Banned Together: Fighting “Obscene and Not Heard”
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From the Archives: The Freedom to Write
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Remembering Thomas Meehan
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Chicago: DG/LMDA Exchange
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Dallas/Ft. Worth: DG Town Hall
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Houston: Girls Who Sing in the Choir
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Missouri: Darren Canady
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New England – East: NENPA
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New Jersey: Interview with Kathleen Tolan
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New York – Central: Interview with Margaret Hall
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Pittsburgh: Momentum Festival
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San Francisco: Strange Ladies
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Seattle: Welcome Home
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Tennessee: Theatre in Shelbyville
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Learning Myself All Over Again
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The Show Dr. Seuss Doesn’t Want You To See
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From the Desk of DGF: In Support of Dramatists
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Guild News – January/February 2018
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Dramatists Diary – January/February 2018
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Classified Ads – January/February 2018
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New Guild Members as of December 15, 2017
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Robert Lopez: Why I Joined the Guild
Here in the nation’s creative crossroads, playwright Darren Canady stands out as one of Kansas City’s most successful working professionals. A courageous writer of plays, the book of a musical, and an opera libretto, with no fear of being vulnerable, Canady is an assistant professor in the University of Kansas English department who returned to this region after honing his craft at Carnegie Mellon, Juilliard, and NYU’s Tisch School of the Arts.
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’s plays have been commissioned, developed, and produced at theatres in Arkansas, Missouri, Texas, and Wisconsin. An active member of the Missouri Playwrights Workshop, his full-length plays include Searching for Grace, The Heart of Stone, Girl Trouble, and Window Pains. He has also authored over two dozen ten-minute plays.