Vol. 21 No. 2
Nov/Dec 2018
The Musical Theatre Issue (2018)
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Masthead of the Musical Theatre Issue (2018)
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Editor’s Notes on The Musical Theatre Issue (2018)
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Dear Dramatist: November/December 2018
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What Rhyme Do You Admire from a Musical Theatre Lyric?
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Adrienne Kennedy: Ten Questions
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The Craft with Lindsey Ferrentino
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How Do You Approach Bookwriting a Musical as Opposed to a Play?
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What Should Dramatists Know About Working with Orchestrators?
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On Orchestrations
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When You're Writing Lyrics, How Important is Finding the Perfect Rhyme?
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Rhyme with Sondheim
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The Assignment Conspiracy: Dramatists & the So-Called “Work-Made-For-Hire”
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From the Desk of DGF: The Musical Theatre Issue
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Atlanta: Essential Theatre
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Austin/San Antonio: Dr. Lisa B. Thompson
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Baltimore: Stephanie Ybarra
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Colorado: Theater 29
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Kentucky: Bill McCann
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Los Angeles: A Short Primer on Rewriting
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Michigan: How to Write the Political Play
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Minneapolis/St. Paul: Janet Preus
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New England – South: Championing Fellow Dramatists
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Upstate New York: Two New Regional Ambassadors
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North Carolina: After the Count
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Ohio: Regional Survey and Member Spotlight
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Portland: The Event of a Lifetime
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Utah: Great Salt Lake Fringe Festival
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Dramatists Diary – November/December 2018
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Classified Ads – November/December 2018
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New Guild Members as of September 15, 2018
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Daniel Goldfarb: Why I Joined the Guild

Janet Preus
Twin Cities DG member Janet Preus wears many hats in her creative life: journalist, director, playwright, songwriter, lyricist—and to top it all off, she’s writing a book (creative, historical non-fiction).
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Laurie Flanigan Hegge
is a playwright/lyricist from Minneapolis and Artistic Associate at History Theatre in St. Paul. Musicals include: Dirty Business, Sweet Land, Boxcar, Twenty Days to Find a Wife, Hormel Girls, See Jane Vote, and Loose Lips Sink Ships.
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