The Innovation Issue
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Masthead of The Innovation Issue
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Editor’s Notes on The Innovation Issue
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Dear Dramatist – March/April 2022
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DG Glossary: Work For Hire
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Jason Robert Brown: Ten Questions
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Marsha Norman: What I’m Teaching Now
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The Listening Party
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Innovative Dramatists
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Innovation is Nothing New
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Midnight Oil Collective
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Dreaming the Queer Future
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How Should We Go On? The Great Realignment Begins
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New Works Now In The Public Domain
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Atlanta: Staying Optimistic
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Kentucky: Roots of the Bluegrass New Play Award
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Michigan: A More Inclusive Theatre Community
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New England – West: Ample Innovation
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The Carolinas: Crossing Over Into 2022
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Ohio: A Cincinnati Update
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Oregon: Whipping Up a Flurry of Creativity
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Philadelphia: The Hand that Holds the Quill
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Puerto Rico: The Santaliz Archive (Archivo Santaliz)
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California – South: Art in the Time of Omicron
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Twin Cities: A Certain Solidarity
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New York State: Hudson Valley & Capital Region Funding Roundtable
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Dramatists Diary – March/April 2022
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New Guild Members as of January 15, 2022
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Guild News – March/April 2022
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Classified Ads – March/April 2022
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Nikkole Salter: Why I Joined the Guild
Michael Korie: Frances and Emily, what kinds of projects are you currently up to and what do you look forward to in the future?
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received The Marc Blitzstein Award from the American Academy of Arts and Letters for his lyrics in musicals and librettos in operas. Korie wrote the lyrics to composer Scott Frankel’s music for the Broadway productions of War Paint and Grey Gardens, with books by Doug Wright, and the off-Broadway productions of Far From Heaven and Happiness. For opera he adapted Steinbeck’s The Grapes of Wrath with composer Ricky Ian Gordon. Korie’s original librettos to operas composed by Stewart Wallace include Harvey Milk, a new version of which premiered this season at Opera Theater of Saint Louis.
is an opera composer who has always wanted to write musicals. She’s working on that. She is a founding member of the Midnight Oil Collective. Follow her at www.francespollock.com
is a musical theatre and opera librettist who dabbles in several other mediums. She is a founding member of the Midnight Oil Collective. Her website is ejroller.com
was born into an Arkansas newspaper family. He strayed into theatre as a performer before joining the Guild as Director of Publications and Editor of The Dramatist from August 2011 through September 2023.