Vol. 23 No. 2
Nov/Dec 2020
Craft and Career
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Masthead of The Craft & Career Issue
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Back to Basics: Editor's Notes on The Craft and Career Issue
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Matthew-Lee Erlbach is Fighting for a New Arts Economy
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Artists & Activists in the Twin Cities
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Native and Indigenous Structure and Dramaturgy
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My Playreading Story for COVID Times
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On Stage Directions
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Playwrights take the Leap into Comics
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Poets & Playwrights
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From the Desk of Political Engagement: Healthcare for Dramatists
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Atlanta: Mark Swanson and Rus McCoy
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California - South: Don’t Call Us, We’ll Call You (Unless You’re a Woman Over 40)
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Colorado: New Work at Buntport Theater
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Kentucky: Introducing Our New Regional Rep
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Michigan: A Quarantine Pod for Black Lives
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New England - West: SquareWrights, Chester Theatre Company, and TheaterWorks
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New York State: A New Chapter
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North and South Carolina: Playwright as Producer
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Ohio: What’s Next? Getting Your Play Produced
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Philadelphia: Philadelphia’s “Music (Wo)Man”
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Portland: Update on Portland Theatre Scene
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Utah: Theatre in Unprecedented Times
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New Guild Members as of September 15, 2020
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Stephen Schwartz: Last Word
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Photo by Dave Thomas Brown
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Everywhere playwright Matthew-Lee Erlbach looked there was economic catastrophe. His friends were being evicted, laid-off from jobs in the arts with few resources to stop their downward spiral. Doors had been closed, exhibits shuttered, and productions halted amid COVID-19’s unchecked surge. Actors, writers, designers, custodians and millions of rank-and-file employees and gig workers, with no advocate in Congress, were left to split the few pennies that passed for aid.
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Joshua Irving Gershick
’s plays include Dear ONE: Love & Longing in Mid-Century Queer America, Coming Attractions, and Bluebonnet Court. He is the winner of the GLAAD Award for Outstanding Los Angeles Theatre and is a Lambda Literary Award Finalist.
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