The Before and After Issue
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Editor's Notes on The Before and After Issue
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Dear Dramatist: Jan/Feb 2020
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News Roundup: Jan/Feb 2020
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Tony Meneses: Ten Questions
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The Craft with Audrey Cefaly
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Before You Write the Play or Musical, Part One
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The Real Person in Your Play
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Underlying Rights, Part One
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Before You Write the Play or Musical, Part Two
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Contracts 101: Collaborations
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Marketing 201: Beyond Submitting
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20 (Mostly Free) Tips to Promote Your Play or Musical
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Terms of Success: A Look at the Basic Terms of a Production Agreement
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The Road to Riches: Publishing & Licensing
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Playwright's Collectives
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Subsidiary Rights, Part One
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Developing a Long-Term Plan for Your Literary Papers
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DGF Fellows: Erika Dickerson-Despenza
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DGF Fellows: Jay Adana & Zeniba Now
- Jay Adana
- and Zeniba Now
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DGI: Northwestern Musical Theatre Intensive
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California - North: Play Cafe Affords Unique Opportunity to East Bay Playwrights
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Dallas/Ft. Worth: The Politics of Space
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DC: Introducing District Dramatists
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Gulf Coast: Conversations at Bacchanal with Kurt Opprecht
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Houston: Interview with Rachel Dickson
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Missouri: Confluence New Play Festival
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New England - East with Andrea Lepcio
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New Jersey: The Infinity Plays
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Seattle: The Scratch
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DG Southwest Region Going Strong
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Tennessee: Interview with C. Kay “Andy” Landis
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Notes from Puerto Rico, Part Two
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Why I Joined the Guild with Georgia Stitt
DONNA HOKE: I have spent a lot of time educating, promoting, and advocating about submitting work, so much so that I think the word is out. There are submission platforms everywhere, there’s sharing, and the submission seminar that I recorded with Stephen Kaplan is up on the Dramatists Guild website. I think the record high numbers that we’re seeing in submissions means that playwrights have gotten this message and they’re responding to those open calls.
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was named as part of the Los Angeles Times’ La Vanguardia. She is a Colombian immigrant, a playwright, an Equity actor, and a teaching artist. Diana has been awarded the Advance Gender Equity in the Arts Grant 2022, the Bay Area Rella Lossy Award, the Long Beach Arts Council Professional Artist Grant 2019, 2020, and was a 2021 Jane Chambers Awardee for excellence in Feminist Playwriting. She currently represents Southern California on the Dramatists Guild council.
curates Page By Page (patreon.com/pagebypage), a resource for theatre-makers. She won the Yale Drama Prize, the Smith Prize, and others. Her work has been developed and/or produced at theatres including: National Theatre/London, Wilma Theatre, Kennedy Center, La MaMa, Florida Studio Theatre, Perseverance Theatre, and Seattle Public. www.jacquelinegoldfinger.com
plays have been produced throughout the U.S. and in twelve other countries. His plays are published by Dramatists Play Service, Samuel French, Playscripts, Broadway Play Publishing, and Original Works Publishing. He studied playwriting at Juilliard and Columbia and has interviewed over 1000 playwrights on his blog. www.adamszymkowicz.com