Vol. 21 No. 3
Jan/Feb 2019
The Community Issue
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Masthead of the Community Issue
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Editor's Notes on the Community Issue: Theatre = Community
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As a Writer, How Do You Build Community? Part One
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Theresa Rebeck: Ten Questions
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The Craft with Christopher Demos-Brown
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Keynote Address from 2018 DG National Conference
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As a Writer, What is the Most Unexpected Sense of Community You've Experienced?
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Making a Place at the Table for Differently Abled Writers
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Writing Wrongs
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Imagine More
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The Burden of History Denied: Writing for Social Justice
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The Stage Writer as Change Agent
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The Art of Turning Pain into Power
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Bedrock Initiative
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As a Writer, How Do You Build Community? Part Two
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Make Them Hear You, Kid
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Common Bonds
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Imagine: Yemen
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Banned Together 3.0
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Unsafe Spaces: From the Desk of the DG President, Doug Wright
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From the Desk of Rachel Routh: The Community Issue
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As a Writer, How Do You Build Community? Part Three
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Chicago: Local Writers’ Collectives
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DC: Movers and Shakers
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Gulf Coast: Creating a Room with a View
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Houston: Interview with Jon-Marc McDonald
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New England: Banned Together and More
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New Jersey: Liberty Live Commission
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New York City: Establishing Community
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Pittsburgh: The Ray Werner Play Festival
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California – North: Introducing Patricia Milton
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Seattle: Speed Date Your Play
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Tennessee: Tiger Lily Theatre
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Nikkole Salter: Why I Joined the Guild
(Clockwise) Chisa Hutchinson, Anita Hollander, Garrett Zuercher
There’s an assumption in the theatre—and perhaps in every endeavor—that all players proceed from the same starting point; that the field is level; and the pack, with identical needs, travels at a single pace. But there are challenges—some obvious; others, less so—when a writer is differently abled.
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Joshua Irving Gershick
’s plays include Dear ONE: Love & Longing in Mid-Century Queer America, Coming Attractions, and Bluebonnet Court. He is the winner of the GLAAD Award for Outstanding Los Angeles Theatre and is a Lambda Literary Award Finalist.
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