In the United Kingdom, 2020/21 was a creative season much affected by the ebb, flow, and legislative pivots brought on by three unpredictable national lockdowns and re-opening periods. As with theatres and organizations in the States, many creative homes found themselves quite preoccupied in the last year with learning, and then relearning, the bullet-pointed guidelines handed to them in order to do so safely. The previous year was largely bookmarked by these periods of closure and reopening.
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