New Musicals
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Masthead of the New Musicals Issue
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Editor’s Notes on the New Musicals Issue
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Thanks, Tori
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Kit Yan: Ten Questions
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Melissa Li: Ten Questions
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Enter the Good Ones: Theatres Doing Right by Their Dramatists
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When Should I Give Someone a Co-Writing Credit?
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DG Glossary: Joint Authorship
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Contracts Guide: Understanding the Dramatists Guild Model Collaboration Agreement for Musicals
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Terms of Success: A Look at the Basic Terms of a Production Agreement
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Best Practices for Authorial Billing for Musicals and Opera
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The Right to Publicity: An Evolution
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New Musicals Q&A
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Lempicka
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New Musical Development
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How to Choose the Right IP
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A Dramatist's Guide to Seattle
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In Memoriam: Samm-Art Williams
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New Guild Members – Autumn 2024
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Dramatists Diary – Autumn 2024
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Classified Ads – Autumn 2024
Larry Dean Harris: So, I want to know when you knew you had something. Did you both arrive at the same conclusion at the same time?
Carson Kreitzer: I mean, I’m going to say the first song we wrote.
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is a playwright, lyricist, and librettist. Current projects include Capital Crime!, a play with songs set in Gilded Age New York, and a trio of plays about the climate crisis: green, TIMEBOMB, and Svalbard,inspired by her time sailing with The Arctic Circle Artist and Scientist Residency Program.
’s musical Witness Uganda had its world premiere at the American Repertory Theater, with a film adaptation currently in development. Matt is a two-time recipient of the Richard Rodgers Award and a recipient of the Jonathan Larson Award and ASCAP’s Dean Kay, Harold Adamson, and Richard Rodgers Awards. @FakeMattGould
co-founded the LA-based Playwrights 6 in 1999. His play Stage Moms was selected for the 2016 Provincetown Tennessee Williams Theatre Festival. He's produced the Los Angeles story salon Strong Words for thirteen years. His proudest accomplishment is serving on the Guild’s Council and as SoCal regional rep for many wonderful years.