Vol. 22 No. 4
Mar/Apr 2020
The Pacific Northwest Issue
Return to Issue Archive-
Masthead of The Pacific Northwest Issue
-
Editor's Notes on The Pacific Northwest Issue
-
News Roundup: Mar/Apr 2020
-
Notes to a Playwright
-
Postcard from Eugene
-
New Plays at Artists Repertory Theatre
-
Seattle Rep
-
Portland Center Stage: A Conversation with Marissa Woolf
-
Village Theatre
-
Oregon Shakespeare Festival: A Conversation with Nataki Garrett
-
Intiman 2020: A Small Theatre with a Big Heart
-
A Contemporary Theatre
-
Annex Theatre
-
Book-It Repertory Theatre
-
Burien Actors Theatre
-
Defunkt Theatre
-
Macha Theatre Works: In Search of the Strong Female Character
-
A Miracle on Stark Street
-
Taproot Theatre Company
-
Fear, Dread, and the Unknown
-
The Northwest Ten Festival
-
Hedgebrook: A Love Story
-
LineStorm Playwrights
-
Parley: A Seattle Playwrights' Group
-
Portland Civic Theatre Guild
-
Rain City Projects
-
DGF Fellows: Charles Gershman
-
DGF Fellows: Aryanna Garber & Benjamin Velez
-
DGF: Our 9th Gala
-
What is the DG Regional Rep and Ambassador Program?
-
Atlanta: Meet Laura King, Southern Georgia Ambassador
-
Austin/San Antonio: FronteraFest
-
Baltimore: Interview with Donna Ibale
-
California - South: “Because I’m a Playwright”
-
Colorado: Heather Beasley Profile
-
Michigan: Ann Arbor Writing Retreat
-
Kentucky: Teatro Tercera Llamada
-
New England - West: Interview with Darcy Parker Bruce
-
North Carolina: DG Footlights
-
Ohio: Getting Off on the Right Foot
-
Philadelphia: The New Rep’s First Year
-
Twin Cities: Playwright Cabal
-
Upstate New York: Alleyway Theatre
-
Notes from Puerto Rico, Part Three
-
Why I Joined the Guild with Lisa Kron
When I moved to Seattle from Los Angeles in 1984, I relished the thought of seeing first class dramatic theatre. The city seemed to be home to a hundred small theatre groups. And, above them all, I was told, existed the Big Three, the triumphant trifecta of theatres, Seattle Rep, ACT, and Intiman Theatre. Unfortunately, what I was told did not match reality.
Subscribe to gain full access to The Dramatist Issue Archive.
Join and become a Dramatists Guild Member, Business Subscriber or subscribe to the magazine with an annual plan for unlimited access.
Guild Members receive our magazine as a benefit of membership!
Elizabeth Coplan
developed the groundbreaking play cycle Grief Dialogues. Her playwriting credits include the award-winning Hospice: A Love Story and Untold. Over My Dead Body is currently in off-Broadway development. She is also the director of the film Juntos Nos Ayudamos/Better Together and screenwriter/producer of Honoring Choices.