The Art and Activism Issue
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Masthead of the Art and Activism Issue
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Lorraine Was Here
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Charlayne Woodard: Dramatist’s Bill of Rights
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Karen Zacarías: Ten Questions
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The Playwright as Activist: Lorraine Hansberry’s Legacy
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International Human Rights Art Festival
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The Intersection of Activism and Art
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TOSOS Continues to Break Through the Silence
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Time to Act
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Silk Road Rising
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On Art and Activism
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Voices from Afar
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A Secular Prayer for the Artist’s Radical Rest
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Guild News – May/June 2023
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Dramatists Diary – May/June 2023
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New Guild Members as of May 15, 2023
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Classified Ads – May/June 2023
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Vickie Ramirez: Why I Joined the Guild
Lorraine Hansberry considered her work as a playwright and activist as inseparable. Do you feel the same? What are your feelings about the intersection of your plays and activism?
“I believe in getting into hot water; it keeps you clean.” – G.K. Chesterton
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is an autistic playwright, performer, director, and activist. The author of nine anthologies of plays and 83 musicals, dramas, and one-woman shows, she specializes in nontraditional roles for women, especially reclaiming famous lesbians whose stories have been distorted or erased from history. www.carolyngage.com
is Distinguished Artist in Residence at Atlanta’s Alliance Theatre. She serves as the city’s Poet Laureate and is a recipient of a Lifetime Achievement Award from the Dramatists Guild and the 2022 Paul Robeson Award from the Actors’ Equity Association and the Actors’ Equity Foundation.
is the winner of Pulitzer, Tony, Humanitas, WGA awards, and three-time Emmy nominated writer. Author of eighteen plays and a musical, The 12. Member of the DG Council, The Lillys, National Theater Conference, and President of the Board of The Orchard Project. www.robertschenkkan.com
is an activist, professor, and award-winning playwright whose plays include demons. (JAG Fest/Dartmouth HOP Center), #NewSlaves (Finalist; Princess Grace, The O’Neill, Seven Devils), imagine sisyphus happy (Finalist; The O’Neill, P73 Summer Residency) CRH, or the placenta play (Semi- Finalist; The O’Neill, Bay Area Playwrights Conference, AADA Main Stage Live!), Nigger/Faggot (Downtown Urban Theater Festival), The Lost Or, How to Just B (Kernodle New Play Award), What I Tell You in the Dark (Finalist; Premiere Stages at Kean University), and Mary/Stuart, a dramatic queering of Friedrich Schiller’s classic play (BAM Next Wave Festival, partnership with Wendy’s Subway and Lambda Literary). www.keelaygipson.com