The Community Issue
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Masthead of the Community Issue
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Editor's Notes on the Community Issue: Theatre = Community
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As a Writer, How Do You Build Community? Part One
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Theresa Rebeck: Ten Questions
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The Craft with Christopher Demos-Brown
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Keynote Address from 2018 DG National Conference
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As a Writer, What is the Most Unexpected Sense of Community You've Experienced?
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Making a Place at the Table for Differently Abled Writers
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Writing Wrongs
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Imagine More
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The Burden of History Denied: Writing for Social Justice
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The Stage Writer as Change Agent
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The Art of Turning Pain into Power
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Bedrock Initiative
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As a Writer, How Do You Build Community? Part Two
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Make Them Hear You, Kid
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Common Bonds
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Imagine: Yemen
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Banned Together 3.0
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Unsafe Spaces: From the Desk of the DG President, Doug Wright
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From the Desk of Rachel Routh: The Community Issue
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As a Writer, How Do You Build Community? Part Three
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Chicago: Local Writers’ Collectives
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DC: Movers and Shakers
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Gulf Coast: Creating a Room with a View
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Houston: Interview with Jon-Marc McDonald
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New England: Banned Together and More
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New Jersey: Liberty Live Commission
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New York City: Establishing Community
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Pittsburgh: The Ray Werner Play Festival
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California – North: Introducing Patricia Milton
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Seattle: Speed Date Your Play
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Tennessee: Tiger Lily Theatre
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Nikkole Salter: Why I Joined the Guild
They walk into the chapel single file, tallest to shortest, hands clasped behind their backs. They wear identical white sneakers, sweatpants, and gray sweatshirts with big letters: “JTDC.” Jamel is last in line, but despite his stature looks more mature than most of the fifteen to seventeen-year olds in front of him. He is light-skinned, with a pencil moustache and close-cropped hair. It’s his first night with Storycatchers Theatre at the Cook County Juvenile Detention Center, and he’s clear about his boundaries:
“I don’t sing and I don’t act. I’m going to be the director.”
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was the Chicago Regional Representative for the Dramatists Guild and is a Resident Playwright at Chicago Dramatists. Her musicals include River’s End (ASCAP Foundation Harold Arlen Musical Theatre Award, Bay Area Theatre Critics Circle Award, NAMT Festival, NYMF TAM Award), At Wit’s End (Carbonell Award), Sylvia’s Real Good Advice (Joseph Jefferson Award), and Phantom of the Country Opera (NAMT Festival, published by MTI.) She has served as an animateur with the Chicago Voices Project of Lyric Opera of Chicago, creating original musical theatre works based on the untold stories of community groups throughout the city.