The Innovation Issue
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Masthead of The Innovation Issue
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Editor’s Notes on The Innovation Issue
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Dear Dramatist – March/April 2022
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DG Glossary: Work For Hire
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Jason Robert Brown: Ten Questions
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Marsha Norman: What I’m Teaching Now
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The Listening Party
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Innovative Dramatists
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Innovation is Nothing New
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Midnight Oil Collective
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Dreaming the Queer Future
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How Should We Go On? The Great Realignment Begins
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New Works Now In The Public Domain
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Atlanta: Staying Optimistic
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Kentucky: Roots of the Bluegrass New Play Award
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Michigan: A More Inclusive Theatre Community
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New England – West: Ample Innovation
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The Carolinas: Crossing Over Into 2022
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Ohio: A Cincinnati Update
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Oregon: Whipping Up a Flurry of Creativity
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Philadelphia: The Hand that Holds the Quill
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Puerto Rico: The Santaliz Archive (Archivo Santaliz)
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California – South: Art in the Time of Omicron
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Twin Cities: A Certain Solidarity
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New York State: Hudson Valley & Capital Region Funding Roundtable
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Dramatists Diary – March/April 2022
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New Guild Members as of January 15, 2022
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Guild News – March/April 2022
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Classified Ads – March/April 2022
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Nikkole Salter: Why I Joined the Guild
Five years ago, six months before I was hired at the Guild, I lost my home. For ten years I lived on two floors of a three-story house in Williamsburg, Brooklyn. It was a dream.
Ten fabulous years.
Sadly, my previous employer downsized, I was let go, and I could no longer afford the rent. I had no savings, very little money to my name, and couldn’t apply for unemployment insurance. I chose to pour every dime I had left into helping my oldest child finish her fine art portfolio for her high school auditions, and I spared no expense. Whatever she needed, I would manifest.
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, an arts advocate, playwright, director, and executive producer, joined the staff of the Dramatists Guild in 2017 and served as Co-Executive Director until September 2024. He serves on the boards of Arts Workers United, The 24-Hour Plays, and PlayPenn. He is the proud parent of Faith and Imani Wilson (My babies!!!). #PayWriters