Vol. 21 No. 1
Sep/Oct 2018
The Reality Check Issue (2018)
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Masthead of the Reality Check Issue (2018)
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Why Isn't the Guild a Labor Union?
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Dear Dramatist - September/October 2018
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Annalisa Dias: Ten Qeustions
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Phillip DePoy: The Craft
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Survival Jobs
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The Big "What Now?" Part 2
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On Writers Groups
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Working Without An Agent
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Suggestions for Staged Readings
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Directing Your Own Work
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Freelance Isn't Free
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Rejection Letters That Never Made It Into Print
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Advice to Young Theatre Composers
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Copyright Advocacy: Between Never and Forever
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From the Desk of DGF: What’s the Foundation?
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Chicago: Can Conversation Change the World?
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Dallas/Fort Worth: Will Power
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DC: Honoring Howard Shalwitz
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Gulf Coast: The NOLA Project
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Houston: Texas Playwrights Festival
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Northern New England: Contracts for Writers
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New Jersey: Joel Stone
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San Francisco: The Rest I Make Up
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Seattle: Out of Grief Comes Art
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Southwest: New Work!
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Tennessee: How does a playwright get from New York to Tennessee?
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Guild News – September/October 2018
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Dramatists Diary – September/October 2018
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New Guild Members as of July 15, 2018
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Why I Joined the Guild with Lloyd Suh
The Texas Playwrights Festival, produced by Wordsmyth Theater Company, is easily the best workshop opportunity in the state for playwrights willing to enter via blind submission process and lucky enough to be selected. Okay, I admit bias since I’m the Wordsmyth member who runs the call for submissions.
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William R. Duell
is a proud member of the Dramatists Guild of America, a professional member of PEN America, a board member of Wordsmyth Theater Co., which promotes new works by playwrights from around the world, and an advisory board member of Fade to Black, Houston's first and only national play festival to showcase new works by Black playwrights.
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