The Community Issue
Return to Issue Archive-
Masthead of the Community Issue
-
Editor's Notes on the Community Issue: Theatre = Community
-
As a Writer, How Do You Build Community? Part One
-
Theresa Rebeck: Ten Questions
-
The Craft with Christopher Demos-Brown
-
Keynote Address from 2018 DG National Conference
-
As a Writer, What is the Most Unexpected Sense of Community You've Experienced?
-
Making a Place at the Table for Differently Abled Writers
-
Writing Wrongs
-
Imagine More
-
The Burden of History Denied: Writing for Social Justice
-
The Stage Writer as Change Agent
-
The Art of Turning Pain into Power
-
Bedrock Initiative
-
As a Writer, How Do You Build Community? Part Two
-
Make Them Hear You, Kid
-
Common Bonds
-
Imagine: Yemen
-
Banned Together 3.0
-
Unsafe Spaces: From the Desk of the DG President, Doug Wright
-
From the Desk of Rachel Routh: The Community Issue
-
As a Writer, How Do You Build Community? Part Three
-
Chicago: Local Writers’ Collectives
-
DC: Movers and Shakers
-
Gulf Coast: Creating a Room with a View
-
Houston: Interview with Jon-Marc McDonald
-
New England: Banned Together and More
-
New Jersey: Liberty Live Commission
-
New York City: Establishing Community
-
Pittsburgh: The Ray Werner Play Festival
-
California – North: Introducing Patricia Milton
-
Seattle: Speed Date Your Play
-
Tennessee: Tiger Lily Theatre
-
Nikkole Salter: Why I Joined the Guild
At the National Conference in July, I met Jon Marc McDonald, a Texas native and graduate student at Columbia University pursuing an MFA in writing. His play, Relatively Conscious, premiered at the New York Theater Festival in February 2018. McDonald presented his paper, Relatively Conscious: The Enduring Rage of Baldwin and the Education of a White Southern Baptist Queer, at the James Baldwin Conference in Paris in May of 2016.
Subscribe to gain full access to The Dramatist Issue Archive.
Join and become a Dramatists Guild Member, Business Subscriber or subscribe to the magazine with an annual plan for unlimited access.
Guild Members receive our magazine as a benefit of membership!
is a proud member of the Dramatists Guild of America, a professional member of PEN America, a board member of Wordsmyth Theater Co., which promotes new works by playwrights from around the world, and an advisory board member of Fade to Black, Houston's first and only national play festival to showcase new works by Black playwrights.