Vol. 20 No. 3
Jan/Feb 2018
The Censorship Issue
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Masthead of the Censorship Issue
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Editor’s Notes on the Censorship Issue
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Dear Dramatist – January/February 2018
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The Last Taboo? The “Palestine Exception” in American Theatre
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Lauren Yee: Ten Questions
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V: The Craft
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Do You Censor Yourself When Writing?
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A Conversation with Paula Vogel
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Banned Together: Fighting “Obscene and Not Heard”
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From the Archives: The Freedom to Write
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Remembering Thomas Meehan
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Chicago: DG/LMDA Exchange
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Dallas/Ft. Worth: DG Town Hall
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Houston: Girls Who Sing in the Choir
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Missouri: Darren Canady
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New England – East: NENPA
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New Jersey: Interview with Kathleen Tolan
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New York – Central: Interview with Margaret Hall
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Pittsburgh: Momentum Festival
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San Francisco: Strange Ladies
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Seattle: Welcome Home
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Tennessee: Theatre in Shelbyville
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Learning Myself All Over Again
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The Show Dr. Seuss Doesn’t Want You To See
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From the Desk of DGF: In Support of Dramatists
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Guild News – January/February 2018
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Dramatists Diary – January/February 2018
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Classified Ads – January/February 2018
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New Guild Members as of December 15, 2017
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Robert Lopez: Why I Joined the Guild
Gwen Flager is the first recipient of Queensbury Theatre’s recently created New Works development program, which culminates in a 2018 production at the theatre. Her play, Girls Who Sing in the Choir, was selected from a large number of region-wide submissions for this opportunity.
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William R. Duell
is a proud member of the Dramatists Guild of America, a professional member of PEN America, a board member of Wordsmyth Theater Co., which promotes new works by playwrights from around the world, and an advisory board member of Fade to Black, Houston's first and only national play festival to showcase new works by Black playwrights.
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