Vol. 22 No. 3
Jan/Feb 2020
The Before and After Issue
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Editor's Notes on The Before and After Issue
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Dear Dramatist: Jan/Feb 2020
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News Roundup: Jan/Feb 2020
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Tony Meneses: Ten Questions
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The Craft with Audrey Cefaly
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Before You Write the Play or Musical, Part One
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The Real Person in Your Play
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Underlying Rights, Part One
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Before You Write the Play or Musical, Part Two
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Contracts 101: Collaborations
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Marketing 201: Beyond Submitting
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20 (Mostly Free) Tips to Promote Your Play or Musical
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Terms of Success: A Look at the Basic Terms of a Production Agreement
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The Road to Riches: Publishing & Licensing
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Playwright's Collectives
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Subsidiary Rights, Part One
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Developing a Long-Term Plan for Your Literary Papers
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DGF Fellows: Erika Dickerson-Despenza
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DGF Fellows: Jay Adana & Zeniba Now
- Jay Adana
- and Zeniba Now
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DGI: Northwestern Musical Theatre Intensive
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California - North: Play Cafe Affords Unique Opportunity to East Bay Playwrights
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Dallas/Ft. Worth: The Politics of Space
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DC: Introducing District Dramatists
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Gulf Coast: Conversations at Bacchanal with Kurt Opprecht
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Houston: Interview with Rachel Dickson
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Missouri: Confluence New Play Festival
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New England - East with Andrea Lepcio
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New Jersey: The Infinity Plays
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Seattle: The Scratch
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DG Southwest Region Going Strong
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Tennessee: Interview with C. Kay “Andy” Landis
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Notes from Puerto Rico, Part Two
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Why I Joined the Guild with Georgia Stitt
Anita Vatshell: Kurt, how do you feel about your production of Dos Coyotes in May?
Kurt Opprecht: I couldn’t have asked for two better actors, Kimberly Kaye embodied the nature of Piper, the new-agey rebel against consumer culture, probably better than I ever will. It was a gas to see new sides of a character I thought I created. And Edward Simon had to dig deep to make Carlos’ border tragedy so palpable. There were a lot of tears in the house.
AV: I shed my share. Also laughs.
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