Vol. 21 No. 4
Mar/Apr 2019
The Massachusetts Issue
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Masthead of the Massachusetts Issue
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Editor's Notes on the Massachusetts Issue
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Dear Dramatist: March/April 2019
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On Privilege and Art: A New Year’s Resolution
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Regarding MFAs
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Guild News for the Massachusetts Issue
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The Craft with Donnetta Lavinia Grays
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Boston’s New Play Ecosystem
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Boston Playwrights’ Theatre
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Fresh Ink Theatre
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When the Rubber Meets the Road
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Company One Playlab
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A Personal History of the Huntington Playwriting Fellowship
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The Mellon Foundation National Playwright Residency
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Theatre in the Berkshires & Pioneer Valley
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Chester Theatre Company
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Who’s This For, Anyway?
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Merrimack Rep
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Can New Plays Find A Home on Cape Cod?
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Provincetown Tennessee Williams Theatre Festival
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Writer's Retreats
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From the Desk of Business Affairs: The DG Goes Abroad
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From the Desk of DGF: The Seller-Lehrer Family Foundation
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Atlanta: Reiser Atlanta Artists Lab
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Austin/San Antonio: B. Iden Payne Awards Council
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Baltimore: Theatre Staff and Writers Meet to Share Opportunities and Challenges
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Colorado: Naked Angels and Questionable Theatrics
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Kentucky: Paths to Production
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California – South: It's a Party!
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Michigan: Workshopping and Developing New Work
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Twin Cities: Robert Elhai
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North Carolina: Building Bridges
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Ohio: A Playwright’s Path to Production
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Philadelphia: Julie Zaffarano
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Portland: The DGI at Artists Rep
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Utah: Sitting Down with Melissa Leilani Larson
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Nomad Americana by Kira Rockwell
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From the workshop of Martha’s (b)Rainstorm: A Boston Fairy Tale by John J King
On the scene since 2011, Fresh Ink Theatre Company has become a mainstay in new play development in Massachusetts. With an ambitious, ever-growing season and a diverse roster of artists, they’ve built a consistent and (rare for theatre) young audience. They’re also one of the only Boston theatres to produce full-lengths submitted by local writers.
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John Minigan
is a 2019-2020 Massachusetts Cultural Council Artist Fellow in Dramatic Writing. His plays have been developed with the Orlando Shakespeare Theater, New Repertory Theater, the New American Playwrights Project, Portland Stage Company, the Great Plains Theatre Conference, and Actors’ Repertory Theatre of Vermont.
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