The Pacific Northwest Issue
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Masthead of The Pacific Northwest Issue
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Editor's Notes on The Pacific Northwest Issue
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News Roundup: Mar/Apr 2020
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Notes to a Playwright
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Postcard from Eugene
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New Plays at Artists Repertory Theatre
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Seattle Rep
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Portland Center Stage: A Conversation with Marissa Woolf
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Village Theatre
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Oregon Shakespeare Festival: A Conversation with Nataki Garrett
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Intiman 2020: A Small Theatre with a Big Heart
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A Contemporary Theatre
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Annex Theatre
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Book-It Repertory Theatre
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Burien Actors Theatre
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Defunkt Theatre
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Macha Theatre Works: In Search of the Strong Female Character
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A Miracle on Stark Street
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Taproot Theatre Company
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Fear, Dread, and the Unknown
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The Northwest Ten Festival
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Hedgebrook: A Love Story
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LineStorm Playwrights
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Parley: A Seattle Playwrights' Group
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Portland Civic Theatre Guild
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Rain City Projects
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DGF Fellows: Charles Gershman
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DGF Fellows: Aryanna Garber & Benjamin Velez
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DGF: Our 9th Gala
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What is the DG Regional Rep and Ambassador Program?
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Atlanta: Meet Laura King, Southern Georgia Ambassador
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Austin/San Antonio: FronteraFest
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Baltimore: Interview with Donna Ibale
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California - South: “Because I’m a Playwright”
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Colorado: Heather Beasley Profile
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Michigan: Ann Arbor Writing Retreat
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Kentucky: Teatro Tercera Llamada
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New England - West: Interview with Darcy Parker Bruce
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North Carolina: DG Footlights
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Ohio: Getting Off on the Right Foot
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Philadelphia: The New Rep’s First Year
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Twin Cities: Playwright Cabal
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Upstate New York: Alleyway Theatre
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Notes from Puerto Rico, Part Three
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Why I Joined the Guild with Lisa Kron
“Get in.”
The van is scuzzy beyond belief—definitely a down-by-the-river number—and five Portland theatregoers may be having second thoughts as they climb aboard. The doors close. The engine starts. And somewhere within the van’s darkness, something vaguely human stirs.
From there, The Reformers’ The Van gets dark. In some ways, it sums up The Reformers’ aesthetic: original plays that “explore theme of fear, dread, and the unknown.” Fortunately, they’re funny people, and their dark plays are well-laden with humor.
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plays have been staged across the U.S. and in Canada and New Zealand. In 2008, his drama Lost Wavelengths won the Oregon Book Award. Steve served as the Dramatists Guild’s Co-Representative for Oregon. He lives in Portland, where he’s working on a ghost play: An Actively Uninhabited House.