Vol. 27 No. 3
Summer 2025
Dramaturgy
Return to Issue Archive-
Masthead of the Dramaturgy Issue
-
Editor’s Notes on the Dramaturgy Issue
-
Letter to the Editor – Summer 2025
-
Zayd Dohrn: Ten Questions
-
DG Statement on the Unconstitutional Firing of the Register of Copyrights, Shira Perlmutter
-
From the Archives: A World Where Governments Fear the Word
-
From the Archives: Day by Day
-
DG Glossary: Trademark
-
How To Avoid “Rent” Control: Protecting Your Copyright When Working with a Non-Authorial Collaborator
-
Dramaturgs on Dramaturgy
-
Catherine Filloux: Working with a Dramaturg
-
Diana Burbano: Working with a Dramaturg
-
Erlina Ortiz: Working with a Dramaturg
-
Jacqueline Goldfinger: Working with a Dramaturg
-
Mashuq Mushtaq Deen: Working with a Dramaturg
-
Terence Anthony: Working with a Dramaturg
-
2024-25 Premieres
-
A Dramatist’s Guide to Tallahassee
-
Athol Fugard Was My Hero
-
Truth, Courage, & Morgan Jenness
-
Ring of Keys
-
New Members – Summer 2025
-
Dramatists Diary – Summer 2025
-
Classified Ads – Summer 2025
In your opinion, what is the role of a dramaturg?
Subscribe to gain full access to The Dramatist Issue Archive.
Join and become a Dramatists Guild Member, Business Subscriber or subscribe to the magazine with an annual plan for unlimited access.
Guild Members receive our magazine as a benefit of membership!
Erlina Ortiz
is a Dominican-American theatre-maker based in Philadelphia. Her heartfelt and humorous plays have been presented across the US and with Power Street Theatre, where she is proud to be Co-Artistic Director. Erlina believes being an artist is a superpower, she believes in using her powers for good. erlinaortiz.com