The Opera Issue
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Masthead of the The Opera Issue
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Editor’s Notes on The Opera Issue
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Honoring Micki Grant with Charlayne Woodard
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Honoring Micki Grant with Kirsten Childs
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Erika Dickerson-Despenza: Ten Questions
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Vanessa Severo: Ten Questions
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The Golden Age (?) of Opera
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So, You Want to Write An Opera?
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Librettists on Libretti
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Composers on Composing Opera
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Opera Resources
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From the Desk of Business Affairs: What’s In An Opera, Doc?
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Atlanta: Bring Back Live!
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Austin/San Antonio: Making The Invisible Visible – Again
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California – South: Staying Busy
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Kentucky: Market House Theatre
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Michigan: New and Renewed Opportunities
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New York State: Reconnecting with Community
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North and South Carolina: Rising to the Occasion
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Philadelphia: Sitting Down with Teresa Miller and Caitlin Cieri
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Oregon: As Busy As Ever
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Twin Cities: The Art Continues
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Dramatists Diary: November/December 2021
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New Guild Members as of September 15, 2021
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Classified Ads - Nov/Dec 2021
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Cori Thomas: Why I Joined the Guild
1What was your most memorable theatrical experience as a child?
The Black Baptist Church on the first Sunday of the month (communion Sunday). It’s the way the folks would be possessed by the Holy Spirit. The way bodies innately respond to spirit, to the drum, to the right note on a Hammond B3 organ. It’s still one of the most transformative theatrical experiences I get to witness and engage.
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is a Blk, queer feminist poet-playwright & cultural-memory worker from Chicago, Illinois. Awards: Laurents/Hatcher Foundation Award (2020), Thom Thomas Award (2020), Lilly Award (2020), Barrie and Bernice Stavis Award (2020), Steinberg Playwright Award (2020), Princess Grace Playwriting Award (2019). Select stage plays include: cullud wattah, shadow/land, and [hieroglyph].