The Age Issue
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Masthead of the Age Issue
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Editor’s Notes on the Age Issue
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Dear Dramatist: November/December 2016
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The Craft with Karen Hartman
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The Plight of the Playwright
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Emerging After 50, Part 1
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Emerging After 50, Part 2
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Kander & Pierce
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Writing for Young(er) Audiences
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A Primer on Literary Executors, Part 1
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James Houghton: A Tribute
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Atlanta: Dumb Luck
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Austin/San Antonio: William Mohammad Razavi
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Baltimore: Demographics of the 2015/16 Season
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Colorado: John Moore
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Connecticut: Summer Social
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Kentucky: Larry Muhammad
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Los Angeles: A Meditation on Emergence
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Michigan: MITTEN Lab
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Minneapolis/St. Paul: Rhiana Yazzie
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North Carolina: Women’s Theatre Festival
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Northern Ohio: Introducing Our New Rep
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Philadelphia: World Premieres by Local Playwrights
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Utah: Elaine Jarvik
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Western New York: An Arts Destination
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Getting A Word In Agewise
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Speaking of Elections… 2017 Regional Council Seats
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Dramatists Diary – November/December 2016
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New Guild Members as of September 15, 2016
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Guild News – November/December 2016
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Classified Ads – November/December 2016
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Emily Mann: Why I Joined the Guild
I joined the Dramatists Guild because Edward Albee told me to. And if any of you know Edward, you can imagine that as a young writer, I hung on his every word. I remember he said: “Every American playwright should be a member of the DG if he or she has any self-respect.” He looked me piercingly in the eye with a malicious grin, encouraging and testing me at the same time. I remember he told me the names of some of the playwrights who were members and simply imagining being listed in the company of these giants gave me more self-respect than I could ever imagine having at that time.
He also knew that the issue of owning my own work was paramount in my mind, having spent too much time paying the rent by writing for television and losing some of my best work after the executive who hired me for the job left the network. “Playwrights own their own work,” said Edward, “but will only continue to do so if we band together.” I have been a passionate Dramatists Guild member for 35 years.
Artistic Director/Resident Playwright Emerita, McCarter Theatre. Plays include: Having Our Say; Execution of Justice; Still Life; Mrs. Packard; Gloria: A Life (Steinem); The Pianist, a play with music. Adaptations: Scenes from a Marriage, Uncle Vanya, Cherry Orchard, A Seagull in the Hamptons, House of Bernarda Alba. Favorite awards: Hull-Warriner, NAACP, Margo Jones, Helen Merrill, Gordon Davidson Lifetime Achievement Award, Peabody Award, Theater Hall of Fame.