The Age Issue
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Masthead of the Age Issue
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Editor’s Notes on the Age Issue
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Dear Dramatist: November/December 2016
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The Craft with Karen Hartman
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The Plight of the Playwright
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Emerging After 50, Part 1
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Emerging After 50, Part 2
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Kander & Pierce
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Writing for Young(er) Audiences
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A Primer on Literary Executors, Part 1
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James Houghton: A Tribute
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Atlanta: Dumb Luck
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Austin/San Antonio: William Mohammad Razavi
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Baltimore: Demographics of the 2015/16 Season
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Colorado: John Moore
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Connecticut: Summer Social
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Kentucky: Larry Muhammad
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Los Angeles: A Meditation on Emergence
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Michigan: MITTEN Lab
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Minneapolis/St. Paul: Rhiana Yazzie
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North Carolina: Women’s Theatre Festival
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Northern Ohio: Introducing Our New Rep
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Philadelphia: World Premieres by Local Playwrights
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Utah: Elaine Jarvik
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Western New York: An Arts Destination
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Getting A Word In Agewise
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Speaking of Elections… 2017 Regional Council Seats
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Dramatists Diary – November/December 2016
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New Guild Members as of September 15, 2016
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Guild News – November/December 2016
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Classified Ads – November/December 2016
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Emily Mann: Why I Joined the Guild
On August 23, 2016, five Guild members—all over 50—gathered in a teleconference to discuss becoming playwrights later in life. The conversation was led by Amy Crider (Chicago, IL), who wrote her first play at 47. The panel included Nancy Gall-Clayton (Jeffersonville, IN) who wrote her first play at 50, Josh Gershick (Los Angeles, CA) whose first play was written at 41, Bruce Olav Solheim (Glendora, CA) who began his first play at 50, and Tsehaye Geralyn Hébert (Chicago, IL) whose MFA came after AARP.
Amy Crider: I belong to Chicago Dramatists where I’m a network playwright. And I’ve noticed that many of the network playwrights there are of retirement age. So often we think of a starting-out-playwright as someone who’s just gotten their MFA. So I wanted to talk to some others who, like me, are older starting out, and possibly don’t have an MFA.
Do you feel it’s harder to compete with these young writers who might be fresh out of getting an MFA?
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won the Tennessee Williams One Act Play Contest in 2021. Her novel Disorder was published by the University of New Orleans Press, where it won their Lab Prize.
was a Kentucky Dramatists Guild representative. She’s given up teaching, counseling, lawyering, and food service, but continues to write plays, something she began around her 50th birthday. Warren Hammack and Liz Bussey Fentress of Horse Cave Theatre were important mentors in her salad days. She just received her sixth commission.
’s plays include Dear ONE: Love & Longing in Mid-Century Queer America, Coming Attractions, and Bluebonnet Court. He is the winner of the GLAAD Award for Outstanding Los Angeles Theatre and is a Lambda Literary Award Finalist.
is a Baton Rouge, LA native and honorary Atlantan. Sundance Finalist (Tale of the Lychee Woman), Something Marvelous, RhinoFest (pygMALI), Cultural DC SourceFest (Elegy for Miss Lucy), VSC Rising Voices Fellowship (You Are Cordially Invited to Teas, Mrs. B.), is a proud DG and Black Theatre Network member. She sits on the Honorary Board of Piven Theatre Workshop; Chicago Cultural Accessibility Consortium, and ADA25/Disability+Lead Alum. The C. A. Lyons Project won four of its five Suzy Bass nominations (2015)!
was born in Seattle in 1958 and served in the army. A history professor at Citrus College in Glendora, CA, Bruce has written five books and six plays. The Bronze Star won two KCACTF awards in 2013 and The Epiphany opens in Norway in September 2016.