Vol. 15 No. 4
Mar/Apr 2013
The Translation and Adaptation Issue (2013)
Return to Issue Archive-
Masthead of the Translation and Adaptation Issue (2013)
-
Editor’s Notes on the Translation and Adaptation Issue (2013)
-
Dear Dramatist - March/April 2013
-
Theresa Rebeck: The Craft
-
Julia Cho: Ten Questions
-
Translating Lyrics
-
Rhonda Shook: On Translations and Adaptations
-
Susan DiLallo: On Translations and Adaptations
-
Challenges of Translation
-
Ellen McLaughlin: On Translations and Adaptations
-
Henry Ong: On Translations and Adaptations
-
Sandra Seaton: On Translations and Adaptations
-
Three Rules for Adapting and Translating the Ancient World
-
Mark Nutter: On Translations and Adaptations
-
Alan Menken: On Translations and Adaptations
-
Roundtable on Translations and Adaptations
-
The Business Side of Adaptations
-
Of Bilingualism: Teatro’s Au Courant Significance
-
Arizona/New Mexico: Documenting History
-
Atlanta: 3 Hill Productions
-
Austin/San Antonio: Luminaria
-
Baltimore: Growing the Scene in 2013
-
Boston: Notes from the Field
-
Chicago: Teatro Vista
-
DC: A Killing Game
-
Florida: Bigger, Better, Stronger
-
Houston: What’s the Worst That Can Happen?
-
Ithaca Region: When the Snow Melts
-
Los Angeles: Fix it Later
-
Minneapolis/St. Paul: Raw Stages Festival
-
New Jersey: Luna Stage
-
North Carolina: College Discovery Day
-
Ohio: It’s Working!
-
Pittsburgh: 13P
-
Seattle: A Visit From Alan Menken
-
Utah: Charles Morey
-
Western New York: The Wheels of Bankruptcy and Resolution
-
E-Publishing Roundtable, Part Two
-
Mr. Blah Blah Blah
-
Seven Lessons Learned at MacDowell (+ one more learned in New York)
-
Happy Spring!
-
Guild News – March/April 2013
-
Dramatists Diary – March/April 2013
-
New Guild Members as of January 15, 2013
-
Classified Ads – March/April 2013
-
Jonathan Reynolds: What Guild Membership Means to Me
I love “The Craft” and “Ten Questions” articles in The Dramatist. I love reading the similarities and differences in processes. For instance, many writers say they listen to music while they write, or when they get stuck, or both.
Subscribe to gain full access to The Dramatist Issue Archive.
Join and become a Dramatists Guild Member, Business Subscriber or subscribe to the magazine with an annual plan for unlimited access.
Guild Members receive our magazine as a benefit of membership!
Joey Stocks
was born into an Arkansas newspaper family. He strayed into theatre as a performer before joining the Guild as Director of Publications and Editor of The Dramatist from August 2011 through September 2023.
Related Dramatist(s)